NUCLEAR FAMILY 19769
THE
MAGICALALPHABET
..................
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THE RAINBOW LIGHT |
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3 |
THE |
33 |
15 |
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7 |
RAINBOW |
82 |
37 |
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5 |
LIGHT |
56 |
29 |
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171 |
81 |
9 |
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1+4 |
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1+5 |
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1+7+1 |
8+1 |
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THIS IS THE SCENE OF THE SCENE UNSEEN
THE UNSEEN SEEN OF THE SCENE UNSEEN THIS IS THE SCENE
3 |
THE |
33 |
15 |
6 |
4 |
MIND |
40 |
22 |
4 |
2 |
OF |
21 |
12 |
3 |
9 |
HUMANKIND |
95 |
41 |
5 |
18 |
First Total |
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1+8 |
Add to Reduce |
1+8+9 |
9+0 |
1+8 |
9 |
Second Total |
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Reduce to Deduce |
1+8 |
- |
- |
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Essence of Number |
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THE DIVINE COMEDY
OF
DANTE ALIGHIERI (1265-1321)
THE FLORENTINE
CANTICA I
HELL
(L'INFERNO)
INTRODUCTION
Page 9
"Midway this way of life we're bound upon
I woke to find myself in a dark wood,
Where the right road was wholly lost and gone."
M |
= |
4 |
- |
6 |
MIDWAY |
75 |
30 |
3 |
T |
= |
2 |
- |
4 |
THIS |
56 |
20 |
2 |
W |
= |
5 |
- |
3 |
WAY |
49 |
13 |
4 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
L |
= |
3 |
- |
4 |
LIFE |
32 |
23 |
5 |
W |
= |
5 |
- |
4 |
WE'RE |
51 |
24 |
6 |
B |
= |
2 |
- |
5 |
BOUND |
56 |
20 |
2 |
U |
= |
3 |
- |
4 |
UPON |
66 |
21 |
3 |
- |
- |
30 |
- |
32 |
- |
406 |
163 |
28 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
I |
= |
9 |
- |
1 |
I |
9 |
9 |
9 |
W |
= |
5 |
- |
4 |
WOKE |
54 |
18 |
9 |
T |
= |
2 |
- |
2 |
TO |
35 |
8 |
8 |
F |
= |
6 |
- |
4 |
FIND |
33 |
24 |
6 |
M |
= |
4 |
- |
6 |
MYSELF |
80 |
26 |
8 |
I |
= |
9 |
- |
2 |
IN |
23 |
14 |
5 |
A |
= |
1 |
- |
1 |
A |
1 |
1 |
1 |
D |
= |
4 |
- |
4 |
DARK |
34 |
16 |
7 |
W |
= |
5 |
- |
4 |
WOOD |
57 |
21 |
3 |
- |
- |
45 |
- |
28 |
- |
326 |
137 |
56 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
W |
= |
5 |
- |
5 |
WHERE |
59 |
32 |
5 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
R |
= |
9 |
- |
5 |
RIGHT |
62 |
35 |
8 |
R |
= |
9 |
- |
4 |
ROAD |
38 |
20 |
2 |
W |
= |
5 |
- |
3 |
WAS |
43 |
7 |
7 |
W |
= |
5 |
- |
6 |
WHOLLY |
95 |
32 |
5 |
L |
= |
3 |
- |
4 |
LOST |
66 |
12 |
3 |
A |
= |
1 |
- |
3 |
AND |
19 |
10 |
1 |
G |
= |
7 |
- |
4 |
GONE |
41 |
23 |
5 |
- |
- |
46 |
- |
37 |
- |
456 |
186 |
42 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
121 |
- |
97 |
First Total |
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- |
- |
1+2+1 |
- |
9+7 |
Add to Reduce |
1+1+8+8 |
4+8+6 |
1+2+6 |
Q |
- |
4 |
|
16 |
Second Total |
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- |
- |
- |
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1+6 |
Reduce to Deduce |
1+8 |
1+8 |
- |
- |
- |
4 |
- |
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Essence of Number |
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9 |
THE DIVINE COMEDY
OF
DANTE ALIGHIERI (1265-1321)
THE FLORENTINE
CANTICA I
HELL
(L'INFERNO)
INTRODUCTION
Page 9
"Power failed high fantasy here; yet, swift to move
Even as a wheel moves equal, free from jars,
Already my heart and will were wheeled by love,
The Love that moves the sun and other stars."
P |
= |
7 |
- |
5 |
POWER |
77 |
32 |
5 |
F |
= |
6 |
- |
6 |
FAILED |
37 |
28 |
1 |
H |
= |
8 |
- |
4 |
HIGH |
32 |
32 |
5 |
F |
= |
6 |
- |
7 |
FANTASY |
86 |
23 |
5 |
H |
= |
8 |
- |
4 |
HERE |
36 |
27 |
9 |
Y |
= |
7 |
- |
3 |
YET |
50 |
14 |
5 |
S |
= |
1 |
- |
5 |
SWIFT |
77 |
23 |
5 |
T |
= |
2 |
- |
2 |
TO |
35 |
8 |
8 |
M |
= |
4 |
- |
4 |
MOVE |
55 |
19 |
1 |
- |
- |
49 |
- |
40 |
First Total |
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- |
- |
4+9 |
- |
4+0 |
Add to Reduce |
4+8+5 |
2+0+6 |
4+4 |
Q |
- |
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- |
4 |
Second Total |
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- |
- |
1+3 |
- |
- |
Reduce to Deduce |
1+7 |
- |
- |
- |
- |
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- |
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Essence of Number |
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E |
= |
5 |
- |
4 |
EVEN |
46 |
19 |
1 |
A |
= |
1 |
- |
2 |
AS |
20 |
2 |
2 |
A |
= |
1 |
- |
1 |
A |
1 |
1 |
1 |
W |
= |
5 |
- |
5 |
WHEEL |
53 |
26 |
8 |
M |
= |
4 |
- |
5 |
MOVES |
74 |
20 |
2 |
E |
= |
5 |
- |
5 |
EQUAL |
56 |
20 |
2 |
F |
= |
6 |
- |
4 |
FREE |
34 |
25 |
7 |
F |
= |
6 |
- |
4 |
FROM |
52 |
25 |
7 |
J |
= |
1 |
- |
4 |
JARS |
48 |
12 |
3 |
- |
- |
34 |
- |
34 |
First Total |
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- |
- |
3+4 |
- |
3+4 |
Add to Reduce |
3+8+4 |
1+5+0 |
3+3 |
Q |
- |
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- |
7 |
Second Total |
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- |
- |
- |
- |
- |
Reduce to Deduce |
1+5 |
- |
- |
- |
- |
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- |
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Essence of Number |
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A |
= |
1 |
- |
7 |
ALREADY |
66 |
30 |
3 |
M |
= |
4 |
- |
2 |
MY |
38 |
11 |
2 |
H |
= |
8 |
- |
5 |
HEART |
52 |
25 |
7 |
A |
= |
1 |
- |
3 |
AND |
19 |
10 |
1 |
W |
= |
5 |
- |
4 |
WILL |
56 |
20 |
2 |
W |
= |
5 |
- |
4 |
WERE |
51 |
24 |
7 |
W |
= |
5 |
- |
7 |
WHEELED |
62 |
35 |
8 |
B |
= |
2 |
- |
2 |
BY |
27 |
9 |
9 |
L |
= |
3 |
- |
4 |
LOVE |
54 |
18 |
9 |
- |
- |
34 |
- |
38 |
First Total |
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- |
- |
3+4 |
- |
3+8 |
Add to Reduce |
4+2+5 |
1+8+2 |
4+7 |
Q |
- |
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- |
11 |
Second Total |
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- |
- |
- |
- |
1+1 |
Reduce to Deduce |
1+1 |
1+1 |
1+1 |
- |
- |
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- |
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Essence of Number |
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T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
L |
= |
3 |
- |
4 |
LOVE |
54 |
18 |
9 |
T |
= |
2 |
- |
4 |
THAT |
49 |
13 |
4 |
M |
= |
4 |
- |
5 |
MOVES |
74 |
20 |
2 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
S |
= |
1 |
- |
3 |
SUN |
54 |
9 |
9 |
A |
= |
1 |
- |
3 |
AND |
19 |
10 |
1 |
O |
= |
6 |
- |
5 |
OTHER |
66 |
30 |
3 |
S |
= |
1 |
- |
5 |
STARS |
77 |
14 |
5 |
- |
- |
22 |
- |
35 |
First Total |
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- |
- |
2+2 |
- |
3+5 |
Add to Reduce |
4+5+9 |
1+4+4 |
4+5 |
Q |
- |
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- |
8 |
Second Total |
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- |
- |
- |
- |
- |
Reduce to Deduce |
1+8 |
- |
- |
- |
- |
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- |
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Essence of Number |
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3 |
THE |
33 |
15 |
6 |
4 |
HOLY |
60 |
24 |
6 |
7 |
MESSAGE |
- |
- |
- |
2 |
M+E |
18 |
9 |
9 |
1 |
S |
19 |
10 |
1 |
3 |
S+A+G |
27 |
18 |
9 |
1 |
E |
5 |
5 |
5 |
7 |
MESSAGE |
69 |
42 |
24 |
14 |
Add |
162 |
81 |
36 |
1+4 |
Reduce |
1+6+2 |
8+1 |
3+6 |
5 |
Deduce |
9 |
9 |
9 |
THE
FAR YONDER SCRIBE
AND OFT TIMES SHADOWED SUBSTANCES WATCHED IN FINE AMAZE
THE
ZED ALIZ ZED
IN SWIFT REPEAT SCATTER STAR DUST AMONGST THE LETTERS OF THEIR PROGRESS
AT THE THROW OF THE NINTH NUMBER WHEN IN CONJUNCTION SET
THE
FAR YONDER SCRIBE
MADE RECORD OF THEIR FALL
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5 |
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18 |
18 |
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2 |
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35 |
8 |
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3 |
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25 |
7 |
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4 |
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5 |
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76 |
22 |
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4 |
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48 |
21 |
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6 |
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55 |
28 |
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2 |
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2 |
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27 |
9 |
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9 |
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10 |
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133 |
61 |
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9 |
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121 |
49 |
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9 |
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2 |
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23 |
14 |
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1 |
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9 |
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65 |
29 |
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First Total |
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3+5 |
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5+7 |
Add to Reduce |
6+2+6 |
2+6+6 |
5+9 |
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1+4 |
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1+8 |
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Second Total |
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1+2 |
Reduce to Deduce |
1+4 |
1+4 |
1+0 |
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Essence of Number |
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26 |
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I |
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R |
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8 |
9 |
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5 |
6 |
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1 |
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6 |
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8 |
+ |
= |
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4+3 |
= |
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= |
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= |
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8 |
9 |
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14 |
15 |
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19 |
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24 |
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26 |
+ |
= |
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1+1+5 |
= |
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= |
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= |
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26 |
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I |
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R |
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1 |
2 |
3 |
4 |
5 |
6 |
7 |
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1 |
2 |
3 |
4 |
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7 |
8 |
9 |
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2 |
3 |
4 |
5 |
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7 |
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+ |
= |
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8+3 |
= |
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1+1 |
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= |
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1 |
2 |
3 |
4 |
5 |
6 |
7 |
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10 |
11 |
12 |
13 |
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16 |
17 |
18 |
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20 |
21 |
22 |
23 |
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25 |
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+ |
= |
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2+3+6 |
= |
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1+1 |
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= |
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26 |
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I |
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R |
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1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
10 |
11 |
12 |
13 |
14 |
15 |
16 |
17 |
18 |
19 |
20 |
21 |
22 |
23 |
24 |
25 |
26 |
+ |
= |
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3+5+1 |
= |
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= |
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= |
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1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
+ |
= |
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1+2+6 |
= |
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= |
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= |
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26 |
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R |
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1 |
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1 |
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1 |
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+ |
= |
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occurs |
x |
3 |
= |
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2 |
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2 |
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2 |
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+ |
= |
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occurs |
x |
3 |
= |
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3 |
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3 |
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3 |
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+ |
= |
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occurs |
x |
3 |
= |
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4 |
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4 |
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4 |
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+ |
= |
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occurs |
x |
3 |
= |
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1+2 |
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5 |
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5 |
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5 |
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+ |
= |
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occurs |
x |
3 |
= |
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1+5 |
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6 |
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6 |
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6 |
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+ |
= |
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occurs |
x |
3 |
= |
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1+8 |
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7 |
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7 |
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7 |
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+ |
= |
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occurs |
x |
3 |
= |
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2+1 |
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8 |
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8 |
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8 |
+ |
= |
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occurs |
x |
3 |
= |
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2+4 |
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9 |
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9 |
- |
- |
- |
- |
- |
- |
- |
- |
+ |
= |
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occurs |
x |
2 |
= |
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1+8 |
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26 |
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I |
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|
4+5 |
|
|
2+6 |
|
1+2+6 |
|
5+4 |
26 |
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I |
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R |
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1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
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26 |
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I |
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R |
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ADVENT 2239 ADVENT
3 |
THE |
33 |
15 |
6 |
4 |
HOLY |
60 |
24 |
6 |
7 |
MESSAGE |
- |
- |
- |
2 |
M+E |
18 |
9 |
9 |
1 |
S |
19 |
10 |
1 |
3 |
S+A+G |
27 |
18 |
9 |
1 |
E |
5 |
5 |
5 |
7 |
MESSAGE |
69 |
42 |
24 |
14 |
Add |
162 |
81 |
36 |
1+4 |
Reduce |
1+6+2 |
8+1 |
3+6 |
5 |
Deduce |
9 |
9 |
9 |
THE
FAR YONDER SCRIBE
AND OFT TIMES SHADOWED SUBSTANCES WATCHED IN FINE AMAZE
THE
ZED ALIZ ZED
IN SWIFT REPEAT SCATTER STAR DUST AMONGST THE LETTERS OF THEIR PROGRESS
AT THE THROW OF THE NINTH NUMBER WHEN IN CONJUNCTION SET
THE
FAR YONDER SCRIBE
MADE RECORD OF THEIR FALL
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5 |
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18 |
18 |
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2 |
|
35 |
8 |
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3 |
|
25 |
7 |
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4 |
|
5 |
|
76 |
22 |
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4 |
|
48 |
21 |
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6 |
|
55 |
28 |
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2 |
|
2 |
|
27 |
9 |
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9 |
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|
10 |
|
133 |
61 |
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9 |
|
121 |
49 |
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9 |
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2 |
|
23 |
14 |
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1 |
|
9 |
|
65 |
29 |
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First Total |
|
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|
3+5 |
|
5+7 |
Add to Reduce |
6+2+6 |
2+6+6 |
5+9 |
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|
1+4 |
|
1+8 |
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Second Total |
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1+2 |
Reduce to Deduce |
1+4 |
1+4 |
1+0 |
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Essence of Number |
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LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER
26 |
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I |
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R |
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8 |
9 |
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5 |
6 |
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1 |
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|
6 |
|
8 |
+ |
= |
|
4+3 |
= |
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= |
|
= |
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8 |
9 |
|
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|
14 |
15 |
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|
19 |
|
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|
|
24 |
|
26 |
+ |
= |
|
1+1+5 |
= |
|
= |
|
= |
|
26 |
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I |
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R |
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1 |
2 |
3 |
4 |
5 |
6 |
7 |
|
|
1 |
2 |
3 |
4 |
|
|
7 |
8 |
9 |
|
2 |
3 |
4 |
5 |
|
7 |
|
+ |
= |
|
8+3 |
= |
|
1+1 |
|
= |
|
|
1 |
2 |
3 |
4 |
5 |
6 |
7 |
|
|
10 |
11 |
12 |
13 |
|
|
16 |
17 |
18 |
|
20 |
21 |
22 |
23 |
|
25 |
|
+ |
= |
|
2+3+6 |
= |
|
1+1 |
|
= |
|
26 |
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I |
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R |
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1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
10 |
11 |
12 |
13 |
14 |
15 |
16 |
17 |
18 |
19 |
20 |
21 |
22 |
23 |
24 |
25 |
26 |
+ |
= |
|
3+5+1 |
= |
|
= |
|
= |
|
|
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
+ |
= |
|
1+2+6 |
= |
|
= |
|
= |
|
26 |
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R |
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1 |
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1 |
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1 |
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+ |
= |
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occurs |
x |
3 |
= |
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2 |
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2 |
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2 |
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+ |
= |
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occurs |
x |
3 |
= |
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3 |
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3 |
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3 |
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+ |
= |
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occurs |
x |
3 |
= |
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4 |
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4 |
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4 |
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+ |
= |
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occurs |
x |
3 |
= |
|
1+2 |
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5 |
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5 |
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5 |
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+ |
= |
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occurs |
x |
3 |
= |
|
1+5 |
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6 |
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6 |
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6 |
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+ |
= |
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occurs |
x |
3 |
= |
|
1+8 |
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7 |
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7 |
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7 |
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+ |
= |
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occurs |
x |
3 |
= |
|
2+1 |
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8 |
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8 |
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8 |
+ |
= |
|
occurs |
x |
3 |
= |
|
2+4 |
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9 |
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|
9 |
- |
- |
- |
- |
- |
- |
- |
- |
+ |
= |
|
occurs |
x |
2 |
= |
|
1+8 |
|
26 |
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I |
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R |
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4+5 |
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|
2+6 |
|
1+2+6 |
|
5+4 |
26 |
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I |
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R |
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1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
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26 |
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I |
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R |
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|
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
- |
- |
- |
- |
15 |
THE SWORD OF WORDS |
- |
- |
- |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
S |
= |
1 |
- |
5 |
SWORD |
79 |
25 |
7 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
W |
= |
5 |
- |
5 |
WORDS |
79 |
25 |
7 |
- |
- |
14 |
- |
15 |
THE SWORD OF WORDS |
212 |
77 |
23 |
- |
- |
1+4 |
- |
1+5 |
|
2+1+2 |
7+7 |
2+3 |
- |
- |
5 |
|
6 |
THE SWORD OF WORDS |
5 |
14 |
5 |
- |
- |
- |
|
- |
- |
- |
1+4 |
- |
- |
- |
5 |
|
6 |
THE SWORD OF WORDS |
5 |
5 |
5 |
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1 |
1 |
|
16 |
7 |
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2 |
1 |
|
5 |
5 |
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3 |
1 |
|
18 |
9 |
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4 |
1 |
|
13 |
4 |
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5 |
1 |
|
21 |
3 |
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6 |
1 |
|
20 |
2 |
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7 |
1 |
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1 |
1 |
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8 |
1 |
|
20 |
2 |
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9 |
1 |
|
9 |
9 |
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10 |
1 |
|
15 |
6 |
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11 |
1 |
|
14 |
5 |
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12 |
1 |
|
19 |
10 |
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1+2 |
|
1+7+1 |
6+3 |
5+4 |
|
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|
1+0 |
|
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|
1+0 |
|
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|
3 |
|
9 |
9 |
9 |
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1 |
1 |
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16 |
7 |
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2 |
1 |
|
5 |
5 |
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3 |
1 |
|
18 |
9 |
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4 |
1 |
|
13 |
4 |
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5 |
1 |
|
21 |
3 |
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6 |
1 |
|
20 |
2 |
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7 |
1 |
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1 |
1 |
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8 |
1 |
|
20 |
2 |
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9 |
1 |
|
9 |
9 |
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10 |
1 |
|
15 |
6 |
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11 |
1 |
|
14 |
5 |
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12 |
1 |
|
19 |
10 |
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|
1+2 |
|
1+7+1 |
6+3 |
5+4 |
|
|
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|
|
1+0 |
|
|
|
1+0 |
|
|
|
|
3 |
|
9 |
9 |
9 |
|
|
|
|
|
|
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|
|
LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER
|
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7 |
1 |
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1 |
1 |
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12 |
1 |
|
19 |
10 |
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8 |
1 |
|
20 |
2 |
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6 |
1 |
|
20 |
2 |
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|
5 |
1 |
|
21 |
3 |
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|
4 |
1 |
|
13 |
4 |
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2 |
1 |
|
5 |
5 |
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|
11 |
1 |
|
14 |
5 |
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|
10 |
1 |
|
15 |
6 |
|
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1 |
1 |
|
16 |
7 |
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|
3 |
1 |
|
18 |
9 |
|
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|
9 |
1 |
|
9 |
9 |
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|
|
1+2 |
|
1+7+1 |
6+3 |
5+4 |
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INTERDEPENDENT |
meaning in the Cambridge English Dictionary
dictionary.cambridge.org › dictionary › english › interdependent
7 days ago · Meaning of interdependent in English ... depending on each other, or consisting of groups that depend on each other: All living things are ...
interdependent - Dictionary Definition : Vocabulary.com
www.vocabulary.com › dictionary › interdependent
Interdependent comes from the Latin word inter meaning "among, between," and dependere which means "to hang from, be dependent on.
interdependent ?Definitions and Synonyms - Macmillan Dictionary
www.macmillandictionary.com › dictionary › british › interdependent
Definition of INTERDEPENDENT
(adjective): depending on each other to exist.
things that are interdependent are related to one another in such a close way that each one needs the others in order to exist
an increasingly interdependent global economy
INTERDEPENDENT
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INTERDEPENDENCE
Interdependence Definition & Meaning - Merriam-Webster
www.merriam-webster.com › dictionary › interdependence
The meaning of interdependence is the state of being dependent upon one another : mutual dependence. How to use interdependence in a sentence.
interdependence - Dictionary Definition : Vocabulary.com
www.vocabulary.com › dictionary › interdependence
Interdependence is mutual dependence between things. If you study biology, you'll discover that there is a great deal of interdependence between plants and ...
What does interdependence mean? - Definitions.net
www.definitions.net › definition › interdependence
Interdependence is a relationship in which each member is mutually dependent on the others. This concept differs from a dependence relationship, where some ...
Princeton's WordNet(2.13 / 8 votes)?????Rate this definition:
mutuality, interdependence, interdependencynoun
a reciprocal relation between interdependent entities (objects or individuals or groups)
Wiktionary(2.40 / 5 votes)?????Rate this definition:
interdependencenoun
the condition of being interdependent
Webster Dictionary(2.50 / 2 votes)?????Rate this definition:
Interdependencenoun
mutual dependence
Freebase(3.89 / 9 votes)?????Rate this definition:
Interdependence
Interdependence is a relationship in which each member is mutually dependent on the others. This concept differs from a dependence relationship, where some members are dependent and some are not. In an interdependent relationship, participants may be emotionally, economically, ecologically and/or morally reliant on and responsible to each other. An interdependent relationship can arise between two or more cooperative autonomous participants. Some people advocate freedom or independence as the ultimate good; others do the same with devotion to one's family, community, or society. Interdependence can be a common ground between these aspirations.
Chambers 20th Century Dictionary(0.00 / 0 votes)?????Rate this definition:
Interdependence
in-ter-de-pend-ens, n. mutual dependence: dependence of parts one on another.—adj. Interdepend'ent
INTERDEPENDENCE
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|
|
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|
2 |
1 |
|
14 |
5 |
|
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|
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|
|
|
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|
4 |
1 |
|
5 |
5 |
|
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|
|
|
|
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|
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|
7 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
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|
9 |
1 |
|
5 |
5 |
|
|
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|
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|
|
|
|
|
|
|
|
|
10 |
1 |
|
14 |
5 |
|
|
|
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|
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|
|
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|
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|
12 |
1 |
|
5 |
5 |
|
|
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|
|
|
|
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|
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|
13 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
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|
|
|
8 |
1 |
|
16 |
7 |
|
|
|
|
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|
|
|
|
1 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
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|
5 |
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7+8 |
|
1+5 |
|
1+4+1 |
7+8 |
7+8 |
|
|
|
|
|
4+0 |
|
|
|
1+0 |
|
|
15 |
|
6 |
|
6 |
15 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
1+5 |
|
1+5 |
|
|
1+5 |
1+5 |
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
6 |
|
6 |
6 |
6 |
|
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
14 |
1 |
|
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
11 |
1 |
|
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
2 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
4 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
9 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
10 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
12 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
13 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
12 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
16 |
7 |
|
|
|
|
|
|
|
|
|
|
|
1 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
5 |
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7+8 |
|
1+5 |
|
1+4+1 |
7+8 |
7+8 |
|
|
|
|
4+0 |
|
1+0 |
|
|
15 |
|
6 |
|
6 |
15 |
15 |
|
|
|
|
|
|
|
|
|
1+5 |
|
1+5 |
|
|
1+5 |
1+5 |
|
|
|
|
|
|
|
|
|
6 |
|
6 |
|
6 |
6 |
6 |
|
|
|
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|
|
|
SO - C - HERE IS THE CHRISTOS
|
|
|
|
|
THE CHRISTOS |
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
C |
= |
3 |
- |
8 |
CHRISTOS |
111 |
57 |
3 |
|
|
5 |
|
11 |
THE CHRISTOS |
|
|
|
|
|
|
|
1+1 |
|
1+4+4 |
7+2 |
1+5 |
|
|
|
|
2 |
|
|
|
|
|
|
|
|
|
THE CHRISTOS |
|
|
|
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
|
|
|
|
|
|
|
|
|
|
C |
= |
3 |
- |
8 |
CHRISTOS |
111 |
57 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
11 |
THE CHRISTOS |
|
|
|
|
|
|
|
|
|
|
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|
|
|
|
|
|
|
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
12 |
THE CHRISTOS |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
|
|
THE CHRISTOS |
33 |
15 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
1 |
|
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
THE CHRISTOS |
|
|
|
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
|
|
|
|
|
|
|
|
|
|
C |
= |
3 |
- |
8 |
CHRISTOS |
111 |
57 |
3 |
|
|
|
|
|
|
|
|
1+6 |
1+8 |
|
|
5 |
|
11 |
THE CHRISTOS |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+1 |
|
1+4+4 |
7+2 |
1+5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
THE CHRISTOS |
|
|
|
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
|
|
|
|
|
|
|
|
|
|
C |
= |
3 |
- |
8 |
CHRISTOS |
111 |
57 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
11 |
THE CHRISTOS |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
THE CHRISTOS |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
1 |
|
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
THE CHRISTOS |
|
|
|
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
|
|
|
|
|
|
|
|
|
|
C |
= |
3 |
- |
8 |
CHRISTOS |
111 |
57 |
3 |
|
|
|
|
|
|
|
|
1+6 |
1+8 |
|
|
5 |
|
11 |
THE CHRISTOS |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+1 |
|
1+4+4 |
7+2 |
1+5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER
|
|
|
|
|
THE CHRISTOS |
|
|
|
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
|
|
|
|
|
|
|
|
|
|
C |
= |
3 |
- |
8 |
CHRISTOS |
111 |
57 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
11 |
THE CHRISTOS |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
THE CHRISTOS |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
1 |
|
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
THE CHRISTOS |
|
|
|
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
|
|
|
|
|
|
|
|
|
|
C |
= |
3 |
- |
8 |
CHRISTOS |
111 |
57 |
3 |
|
|
|
|
|
|
|
|
1+6 |
1+8 |
|
|
5 |
|
11 |
THE CHRISTOS |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+1 |
|
1+4+4 |
7+2 |
1+5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
THE CHRISTOS |
|
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
|
|
|
|
|
|
|
|
C |
= |
3 |
- |
8 |
CHRISTOS |
111 |
57 |
3 |
|
|
|
|
|
|
|
|
|
|
5 |
|
11 |
THE CHRISTOS |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
THE CHRISTOS |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
11 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
1 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
9 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
4 |
1 |
|
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
3 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
10 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
2 |
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
5 |
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
THE CHRISTOS |
|
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
|
|
|
|
|
|
|
|
C |
= |
3 |
- |
8 |
CHRISTOS |
111 |
57 |
3 |
|
|
|
|
|
|
1+6 |
1+8 |
|
|
5 |
|
11 |
THE CHRISTOS |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+1 |
|
1+4+4 |
7+2 |
1+5 |
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
CHRIST |
|
|
|
C |
= |
3 |
- |
3 |
C |
3 |
3 |
3 |
H |
= |
8 |
- |
8 |
HRIS |
54 |
45 |
9 |
T |
= |
2 |
- |
3 |
T |
20 |
2 |
2 |
|
|
13 |
|
11 |
CHRIST |
|
|
|
|
|
1+3 |
|
1+1 |
|
7+7 |
5+0 |
1+4 |
|
|
|
|
2 |
|
|
|
|
CHRIST
C-HeRe-IS-The RISH
|
|
|
|
|
CHRIST |
|
|
|
C |
= |
3 |
- |
3 |
C |
3 |
3 |
3 |
H |
= |
8 |
- |
8 |
RISH |
54 |
45 |
9 |
T |
= |
2 |
- |
3 |
T |
20 |
2 |
2 |
|
|
13 |
|
11 |
CHRIST |
|
|
|
|
|
1+3 |
|
1+1 |
|
7+7 |
5+0 |
1+4 |
|
|
|
|
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
C |
= |
3 |
|
6 |
|
77 |
32 |
5 |
|
|
|
|
|
|
|
|
|
|
S |
= |
1 |
|
3 |
|
29 |
20 |
2 |
|
|
|
|
|
|
|
|
|
|
H |
= |
8 |
|
4 |
HERE |
36 |
27 |
9 |
|
|
|
|
|
|
|
|
|
|
I |
= |
9 |
|
2 |
|
28 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
|
3 |
|
33 |
15 |
6 |
|
|
|
|
|
|
|
|
|
|
R |
= |
9 |
|
4 |
|
54 |
27 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4+1 |
|
2+2 |
Add to Reduce |
3+0+7 |
1+2+7 |
2+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Reduce to Deduce |
1+0 |
1+0 |
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
ALL IS NUMBER |
- |
- |
- |
3 |
|
25 |
7 |
|
2 |
|
28 |
10 |
|
6 |
|
73 |
28 |
|
|
ALL IS NUMBER |
|
|
|
|
- |
1+2+6 |
4+5 |
|
|
ALL IS NUMBER |
|
|
|
THE CITY OF REVELATION
John Michell 1972
Gnostic Numbers
Page 118
"Exactly how they came by their science of numbers is not certain, but they appear to have made the discovery that the numerical code of the Hebrew cabala and those of other mystical systems throughout the world were all degenerate versions of the same once universal system of knowledge that returns within the reach of human perception at certain intervals in time. As the revealed books of the Old Testament were written in a code to be interpreted by reference to number, so were the revelations of the gnostic prophets expressed in words and phrases formed on a system of proportion, which gave life and power to the Christian myth, while allowing initiates to gain a further understanding of the balance of forces that produce the world of phenomena."
Page 121 / How it was ever supposed that the Hebrew alphabet of twenty- two letters, together with various geometrical symbols might serve to represent the entire moving pattern of the universe is not now easy to understand; but, since all ancient philosophy, religion, magic, the arts and sciences were based on the concept of a correspondence between numbers and cosmic law, it is impossible to appreciate the history of the past without some actual experience of the fundamental truth behind this approach to cosmology. Plato gives a remarkable account in Cratylos of the origin of language and letters. The philosopher is asked whether there is any particular significance in names, for surely they are simply a matter of convention and one is more or less as good as another. After all, foreigners call things by different names and appear to manage just as well as the Greeks in this respect. The answer given is that despite appearances the matter is by no means so simple. Words are the tools of expression, and the making of these, as of any other tools, is the task of a skilled craftsman, in this case the lawgiver. Language has grown corrupt over the ages, and names have deviated from their original perfect forms, which are those used by the gods. But all names were originally formed on certain principles, through knowledge of which it is possible to discover the archetypal meaning of words in current use. 'So perhaps the man who knows about names considers their value and is not confused if some letter is added, transposed or subtracted, or even if the force of the name is expressed in quite different letters.' This is Plato's clearest reference to the mystical science of the cabala, in which letters, words and whole phrases may be substituted for others of the same numerical value. The force of a name is to be found in its number, and can be expressed through any combination of letters, provided the sum of the letters amounts to the appropriate number by gematria.
1 |
I |
9 |
9 |
9 |
3 |
SAY |
45 |
9 |
9 |
7 |
DECODER |
54 |
36 |
9 |
6 |
DECODE |
36 |
27 |
9 |
4 |
CODE |
27 |
18 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
5 |
CODED |
31 |
22 |
4 |
5 |
CODES |
46 |
19 |
1 |
- |
CODE |
|
|
- |
2 |
C+O |
18 |
9 |
9 |
2 |
D+E |
9 |
9 |
9 |
- |
DECODE |
|
|
- |
2 |
D+E |
9 |
9 |
9 |
2 |
C+O |
18 |
9 |
9 |
2 |
D+E |
9 |
9 |
9 |
- |
DECODER |
|
|
- |
2 |
D+E |
9 |
9 |
9 |
2 |
C+O |
18 |
9 |
9 |
2 |
D+E |
9 |
9 |
9 |
1 |
R |
18 |
9 |
9 |
CODE DE CODE
C+O D+E D+E C+O D+E
9+9+9+9+9
C+O D+E D+E C+O D+E
CODE DE CODE
10 |
CODE DE CODE |
67 |
13 |
4 |
|
C+O |
18 |
9 |
|
|
D+E |
9 |
9 |
|
|
D+E |
9 |
9 |
|
|
C+O |
18 |
9 |
|
|
D+E |
9 |
9 |
|
10 |
CODE DE CODE |
63 |
36 |
36 |
1+0 |
- |
6+3 |
3+6 |
3+6 |
1 |
CODE DE CODE |
9 |
9 |
9 |
8 |
QUO VADIS |
108 |
36 |
9 |
6 |
VOX POP |
108 |
36 |
9 |
11 |
SORROW |
108 |
36 |
9 |
8 |
INSTINCT |
108 |
36 |
9 |
11 |
DESCENDANTS |
108 |
36 |
9 |
8 |
STARTING |
108 |
36 |
9 |
9 |
NARRATIVE |
108 |
36 |
9 |
9 |
SEQUENCES |
108 |
36 |
9 |
9 |
TANTALIZE |
108 |
36 |
9 |
9 |
COMPLETES |
108 |
36 |
9 |
9 |
AMBIGUOUS |
108 |
36 |
9 |
7 |
JOURNEY |
108 |
36 |
9 |
4 |
GODS |
45 |
18 |
9 |
6 |
SPIRIT |
91 |
37 |
1 |
4 |
ISIS |
89 |
35 |
8 |
6 |
OSIRIS |
89 |
35 |
8 |
6 |
VISHNU |
93 |
30 |
3 |
5 |
SHIVA |
59 |
59 |
4 |
7 |
KRISHNA |
80 |
35 |
3 |
7 |
SHRISTI |
102 |
39 |
3 |
5 |
RISHI |
63 |
36 |
9 |
4 |
ISHI |
45 |
27 |
9 |
6 |
CHRIST |
77 |
32 |
5 |
4 |
GODS |
|
9 |
45 |
18 |
9 |
6 |
SPIRIT |
= |
S9999 |
91 |
37 |
1 |
4 |
ISIS |
|
9S9S |
89 |
35 |
8 |
6 |
OSIRIS |
|
OS999S |
89 |
35 |
8 |
6 |
VISHNU |
|
999U |
93 |
30 |
3 |
5 |
SHIVA |
|
99VA |
59 |
59 |
4 |
7 |
KRISHNA |
= |
K999NA |
80 |
35 |
3 |
7 |
SHRISTI |
|
999ST9 |
102 |
39 |
3 |
5 |
RISHI |
|
9999 |
63 |
36 |
9 |
4 |
ISHI |
|
999 |
45 |
27 |
9 |
6 |
CHRIST |
|
C999T |
77 |
32 |
5 |
GNOSIS GODS SON IS
LETTERS AND NUMBERS AND NUMBERS AND LETTERS
4 |
GODS |
|
9 |
45 |
18 |
9 |
6 |
SPIRIT |
= |
S9999 |
91 |
37 |
1 |
4 |
ISIS |
|
9S9S |
89 |
35 |
8 |
6 |
OSIRIS |
|
OS999S |
89 |
35 |
8 |
6 |
VISHNU |
|
999U |
93 |
30 |
3 |
5 |
SHIVA |
|
99VA |
59 |
59 |
4 |
7 |
KRISHNA |
= |
K999NA |
80 |
35 |
3 |
7 |
SHRISTI |
|
999ST9 |
102 |
39 |
3 |
5 |
RISHI |
|
9999 |
63 |
36 |
9 |
4 |
ISHI |
|
999 |
45 |
27 |
9 |
6 |
CHRIST |
|
C999T |
77 |
32 |
5 |
6 |
SAPTARSHI |
|
9TA999 |
77 |
32 |
5 |
O |
= |
6 |
- |
- |
OSIRIS |
- |
- |
- |
- |
- |
- |
- |
1 |
O |
15 |
6 |
6 |
- |
- |
- |
- |
1 |
IS |
28 |
19 |
1 |
- |
- |
- |
- |
1 |
R |
18 |
9 |
9 |
- |
- |
- |
- |
2 |
1S |
19 |
19 |
1 |
O |
= |
6 |
|
6 |
OSIRIS |
|
|
26 |
- |
- |
- |
- |
- |
- |
8+9 |
5+3 |
2+6 |
O |
= |
6 |
- |
6 |
OSIRIS |
|
|
|
- |
- |
- |
- |
- |
- |
1+7 |
- |
- |
O |
= |
6 |
- |
6 |
OSIRIS |
|
|
|
- |
CHRIST |
- |
- |
- |
|
C |
3 |
3 |
|
|
RISH |
54 |
27 |
|
|
T |
20 |
2 |
|
6 |
CHRIST |
77 |
32 |
14 |
- |
- |
7+7 |
3+2 |
1+4 |
6 |
CHRIST |
14 |
5 |
5 |
Word Records > Longest Words This is the longest word in the first edition of the Oxford English Dictionary. Interestingly the most common letter in English, E, does not appear in this ...
www.fun-with-words.com/word_longest.html - Cached - Similar
What is the most common letter? | Answerbag What is the most common letter? the bills they keep sending me. ... Im Alec. The most common letters in the English language are, in order, ETAOINSHRDLU. ...
www.answerbag.com/q_view/111800 - Cached - Similar
Herbert S. Zim, in his classic introductory cryptography text "Codes and Secret Writing", gives the English letter frequency sequence as "ETAON RISHD LFCMU GYPWB VKXJQ Z", the most common letter pairs as "TH HE AN RE ER IN ON AT ND ST ES EN OF TE ED OR TI HI AS TO", and the most common doubled letters as "LL EE SS OO TT FF RR NN PP CC".[1]
"ETAON RISHD LFCMU GYPWB VKXJQ Z"
4 |
ISHI |
45 |
27 |
9 |
7 |
RISHI |
63 |
36 |
9 |
2 |
SHAH |
36 |
9 |
9 |
7 |
HASHISH |
72 |
36 |
36 |
ISHI TELL IRISH RISHI HOW MANY FISH DIED THE DEATH
RISHI
Rishi: Hindu - Hinduism Dictionary on Rishi
rishi: (Sanskrit) "Seer."
"A term for an enlightened being, emphasizing psychic perception and visionary wisdom. In the Vedic age, rishis lived in forest or mountain retreats, either alone or with disciples. These rishis were great souls who were the inspired conveyers of the Vedas. Seven particular rishis (the sapta-rishis) mentioned in the Rig Veda are said to still guide mankind from the inner worlds."
See: shruti.
(See also: Rishi , Hinduism, Body Mind and Soul)
http://www.experiencefestival.com/a/Rishi/id/61594
- |
5 |
R |
I |
S |
H |
I |
|
|
|
|
|
|
|
- |
- |
|
- |
- |
- |
9 |
1 |
8 |
9 |
|
|
|
2+7 |
= |
|
|
|
|
|
- |
- |
- |
9 |
19 |
8 |
9 |
|
|
|
4+5 |
= |
|
|
|
|
|
- |
5 |
R |
I |
S |
H |
I |
|
|
|
|
|
|
|
- |
|
|
- |
- |
9 |
- |
- |
- |
- |
|
|
|
|
= |
|
|
|
|
|
- |
- |
18 |
- |
- |
- |
- |
|
|
|
1+8 |
= |
|
|
|
|
|
- |
5 |
R |
I |
S |
H |
I |
|
|
|
|
|
|
|
- |
|
|
- |
- |
18 |
9 |
19 |
8 |
9 |
|
|
|
6+3 |
= |
|
|
|
|
|
- |
- |
9 |
9 |
1 |
8 |
9 |
|
|
|
3+6 |
= |
|
|
|
|
|
- |
5 |
R |
I |
S |
H |
I |
|
|
|
|
|
|
|
- |
- |
|
- |
- |
- |
- |
1 |
-`` |
- |
|
|
|
occurs |
x |
|
= |
1 |
= |
|
|
- |
- |
- |
- |
- |
- |
|
|
|
TWO |
2 |
|
- |
- |
- |
|
|
- |
- |
- |
- |
- |
- |
|
|
|
THREE |
3 |
|
- |
- |
- |
|
|
- |
- |
- |
- |
- |
- |
|
|
|
FOUR |
4 |
|
- |
- |
- |
|
|
- |
- |
- |
- |
- |
- |
|
|
|
FIVE |
5 |
|
- |
- |
- |
|
|
- |
- |
|
- |
- |
- |
|
|
|
SIX |
6 |
|
- |
- |
- |
|
|
- |
- |
- |
|
- |
- |
|
|
|
SEVEN |
7 |
|
- |
- |
- |
|
- |
- |
|
- |
|
|
- |
|
|
|
occurs |
x |
|
= |
8 |
= |
|
- |
- |
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
27 |
2+7 |
|
27 |
5 |
R |
I |
S |
H |
I |
|
|
18 |
|
|
|
|
|
|
|
2+7 |
- |
|
|
|
- |
|
|
|
1+8 |
- |
- |
- |
- |
3+6 |
- |
1+8 |
|
5 |
R |
I |
S |
H |
I |
|
|
9 |
|
|
|
|
|
|
|
- |
- |
9 |
9 |
1 |
8 |
9 |
|
|
|
|
|
|
|
- |
- |
|
|
5 |
R |
I |
S |
H |
I |
|
|
9 |
|
|
|
|
|
|
|
5 |
R |
I |
S |
H |
I |
|
|
|
|
|
|
|
- |
- |
|
- |
- |
9 |
1 |
8 |
9 |
|
|
|
2+7 |
= |
|
|
|
|
|
- |
- |
9 |
19 |
8 |
9 |
|
|
|
4+5 |
= |
|
|
|
|
|
5 |
R |
I |
S |
H |
I |
|
|
|
|
|
|
|
- |
|
|
- |
9 |
- |
- |
- |
- |
|
|
|
|
= |
|
|
|
|
|
- |
18 |
- |
- |
- |
- |
|
|
|
1+8 |
= |
|
|
|
|
|
5 |
R |
I |
S |
H |
I |
|
|
|
|
|
|
|
- |
|
|
- |
18 |
9 |
19 |
8 |
9 |
|
|
|
6+3 |
= |
|
|
|
|
|
- |
9 |
9 |
1 |
8 |
9 |
|
|
|
3+6 |
= |
|
|
|
|
|
5 |
R |
I |
S |
H |
I |
|
|
|
|
|
|
|
- |
- |
|
- |
- |
- |
1 |
-`` |
- |
|
|
|
occurs |
x |
|
= |
1 |
= |
|
- |
|
- |
|
|
- |
|
|
|
occurs |
x |
|
= |
8 |
= |
|
- |
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
27 |
2+7 |
|
5 |
R |
I |
S |
H |
I |
|
|
18 |
|
|
|
|
|
|
|
- |
|
|
|
- |
|
|
|
1+8 |
- |
- |
- |
- |
3+6 |
- |
1+8 |
5 |
R |
I |
S |
H |
I |
|
|
9 |
|
|
|
|
|
|
|
- |
9 |
9 |
1 |
8 |
9 |
|
|
|
|
|
|
|
- |
- |
|
5 |
R |
I |
S |
H |
I |
|
|
9 |
|
|
|
|
|
|
|
http://en.wikipedia.org/wiki/Rishi
RISHI
ETYMOLOGY
The word's etymology is unknown. It has an Avestan cognate ərəšiš (Yasna 31.5) "an ecstatic" (see also Yurodivy, Vates). Monier-Williams tentatively suggests derivation from drś "to see"(1) and he also compares Old Irish arsan, "a sage, a man old in wisdom". Manfred Mayrhofer in his Etymological Dictionary prefers a connection to either (omitted) "pour, flow" (PIE) *h1ers), or to ras "yell".
In the Vedas, the word denotes a singer of sacred hymns, an inspired poet or sage, or any person who alone or with others invokes the deities in rhythmical speech or song of a sacred character. In particular, it refers to the authors of the hymns of the Rigveda, e.g. Kutsa, Atri, Rebha, Agastya,Kushika, Vasishtha, Vyashva. Later generations regarded the Rishis as patriarchal sages or saints, occupying the same position in India history as the heroes and patriarchs of other countries, constituting a peculiar class of beings in the early mythical system, as distinct from Asuras, Devas and mere mortal men.
Seven Rishis (the Saptarshi) are often mentioned in the Brahmanas and later works as typical representatives of the character and spirit of the pre-historic or mythical period; in Shatapatha Brahmana 14.5.2.6, their names are Gautama, Bharadvaja, Vishvamitra, Jamadagni, Vasishtha, Kashyapa, and Atri. In Mahabharata 12, on the other hand, Marici, Atri, Angiras, Pulaha, Kratu, Pulastya and Vasishtha. In addition to the Saptarshi, there are other classifications of sages. In descending order of precedence, they are Brahmarshi, Maharshi, Rajarshi.
In Vedic astronomy, the Saptarsh form the constellation of Ursa Major (e. g. RV 10.82.2; AV. 60.40.1. Metaphorically the Saptarsh may stand for the seven senses or the seven vital airs of the body.
"Seven Rishis (the Saptarsh) are often mentioned in the Brahmanas"
"In Vedic astronomy, the Saptarsh form the constellation of Ursa Major"
"Saptarsh may stand for the seven senses or the seven vital airs of the body"
SAPTARSHI A STAR SHIP A STAR SHIP SAPTARSHI
9 |
SAPTARSHI |
- |
- |
- |
|
A |
1 |
1 |
|
|
STAR |
58 |
13 |
|
|
SHIP |
52 |
25 |
|
9 |
SAPTARSHI |
111 |
39 |
12 |
- |
- |
1+1+1 |
3+9 |
1+2 |
9 |
SAPTARSHI |
3 |
12 |
3 |
- |
- |
- |
1+2 |
- |
9 |
SAPTARSHI |
3 |
3 |
3 |
SAPTARSHI A STAR SHIP A STAR SHIP SAPTARSHI
SAPTARSHI A PAST RISH A PAST RISH SAPTARSHI
9 |
SAPTARSHI |
- |
- |
- |
|
A |
1 |
1 |
|
|
PAST |
56 |
11 |
|
|
RISH |
54 |
27 |
|
9 |
SAPTARSHI |
111 |
39 |
12 |
- |
- |
1+1+1 |
3+9 |
1+2 |
9 |
SAPTARSHI |
3 |
12 |
3 |
- |
- |
- |
1+2 |
- |
9 |
SAPTARSHI |
3 |
3 |
3 |
- |
|
|
|
|
3 |
S+A+P |
36 |
18 |
9 |
2 |
T+A |
21 |
3 |
3 |
4 |
R+S+H+I |
27 |
18 |
9 |
9 |
SAPTARSHI |
111 |
39 |
21 |
- |
- |
1+1+1 |
3+9 |
2+1 |
9 |
SAPTARSHI |
3 |
12 |
3 |
- |
- |
- |
1+2 |
- |
9 |
SAPTARSHI |
3 |
3 |
3 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
9 |
SAPTARSHI |
111 |
39 |
3 |
9 |
A
STARSHIP |
111 |
39 |
3 |
- |
|
|
|
|
2 |
S+A |
20 |
11 |
2 |
2 |
P+T |
36 |
9 |
9 |
1 |
A |
1 |
1 |
1 |
1 |
R |
18 |
9 |
9 |
2 |
SH |
27 |
18 |
9 |
1 |
I |
9 |
9 |
9 |
9 |
SAPTARSHI |
111 |
57 |
39 |
- |
- |
1+1+1 |
5+7 |
3+9 |
9 |
SAPTARSHI |
3 |
12 |
12 |
- |
- |
- |
1+2 |
1+2 |
9 |
A
STARSHIP |
3 |
3 |
3 |
- |
|
|
|
|
1 |
A |
1 |
1 |
1 |
3 |
S+T+A |
40 |
13 |
4 |
1 |
R |
18 |
9 |
9 |
2 |
SH |
27 |
18 |
9 |
1 |
I |
9 |
9 |
9 |
1 |
P |
16 |
7 |
7 |
9 |
A STARSHIP |
111 |
57 |
39 |
- |
- |
1+1+1 |
5+7 |
3+9 |
9 |
A STARSHIP |
3 |
12 |
12 |
- |
- |
- |
1+2 |
1+2 |
9 |
SAPTARSHI |
3 |
3 |
3 |
SAPTARSHI A STAR SHIP A STAR
SHIP SAPTARSHI
9 |
SAPTARSHI |
- |
- |
- |
|
A |
1 |
1 |
|
|
STAR |
58 |
13 |
|
|
SHIP |
52 |
25 |
|
9 |
SAPTARSHI |
111 |
39 |
12 |
- |
- |
1+1+1 |
3+9 |
1+2 |
9 |
SAPTARSHI |
3 |
12 |
3 |
- |
- |
- |
1+2 |
- |
9 |
SAPTARSHI |
3 |
3 |
3 |
-- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
1 |
|
|
|
|
|
1 |
8 |
9 |
|
|
|
1+9 |
|
|
1+0 |
|
|
|
- |
- |
19 |
|
|
|
|
|
19 |
8 |
9 |
|
|
|
5+5 |
|
|
1+0 |
|
|
|
-- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
- |
|
1 |
7 |
2 |
1 |
9 |
|
|
|
|
|
|
2+0 |
|
|
|
|
|
|
- |
- |
|
1 |
16 |
20 |
1 |
18 |
|
|
|
|
|
|
5+6 |
|
|
1+1 |
|
|
|
-- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
- |
19 |
1 |
16 |
20 |
1 |
18 |
19 |
8 |
9 |
|
|
|
1+1+1 |
|
|
|
|
|
|
- |
- |
1 |
1 |
7 |
2 |
1 |
9 |
1 |
8 |
9 |
|
|
|
3+9 |
|
|
1+2 |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
|
|
|
- |
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
4 |
= |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
THREE |
3 |
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
FOUR |
4 |
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
FIVE |
5 |
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
SIX |
6 |
|
|
|
|
|
- |
|
|
|
|
- |
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
8 |
= |
|
|
- |
|
|
|
- |
|
9 |
|
|
9 |
|
|
|
occurs |
x |
|
= |
|
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+8 |
|
|
|
|
- |
|
|
|
|
|
|
|
2+7 |
|
|
|
|
3+9 |
|
3+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
1 |
7 |
2 |
1 |
9 |
1 |
8 |
9 |
|
|
|
|
|
|
|
1+2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
1 |
|
|
|
|
|
1 |
8 |
9 |
|
|
|
1+9 |
|
|
1+0 |
|
|
|
- |
19 |
|
|
|
|
|
19 |
8 |
9 |
|
|
|
5+5 |
|
|
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
|
1 |
7 |
2 |
1 |
9 |
|
|
|
|
|
|
2+0 |
|
|
|
|
|
|
- |
|
1 |
16 |
20 |
1 |
18 |
|
|
|
|
|
|
5+6 |
|
|
1+1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
19 |
1 |
16 |
20 |
1 |
18 |
19 |
8 |
9 |
|
|
|
1+1+1 |
|
|
|
|
|
|
- |
1 |
1 |
7 |
2 |
1 |
9 |
1 |
8 |
9 |
|
|
|
3+9 |
|
|
1+2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
4 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
8 |
= |
|
- |
|
|
|
- |
|
9 |
|
|
9 |
|
|
|
occurs |
x |
|
= |
|
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
2+7 |
|
|
|
|
3+9 |
|
3+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
1 |
7 |
2 |
1 |
9 |
1 |
8 |
9 |
|
|
|
|
|
|
|
1+2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
2 |
S+A |
20 |
11 |
2 |
2 |
P+T |
36 |
9 |
9 |
1 |
A |
1 |
1 |
1 |
1 |
R |
18 |
9 |
9 |
2 |
SH |
27 |
18 |
9 |
1 |
I |
9 |
9 |
9 |
9 |
SAPTARSHI |
111 |
57 |
39 |
- |
- |
1+1+1 |
5+7 |
3+9 |
9 |
SAPTARSHI |
3 |
12 |
12 |
- |
- |
- |
1+2 |
1+2 |
9 |
A
STARSHIP |
3 |
3 |
3 |
- |
|
|
|
|
1 |
A |
1 |
1 |
1 |
3 |
S+T+A |
40 |
13 |
4 |
1 |
R |
18 |
9 |
9 |
2 |
SH |
27 |
18 |
9 |
1 |
I |
9 |
9 |
9 |
1 |
P |
16 |
7 |
7 |
9 |
A STARSHIP |
111 |
57 |
39 |
- |
- |
1+1+1 |
5+7 |
3+9 |
9 |
A STARSHIP |
3 |
12 |
12 |
- |
- |
- |
1+2 |
1+2 |
9 |
SAPTARSHI |
3 |
3 |
3 |
SAPTARSHI A STAR SHIP A STAR
SHIP SAPTARSHI
9 |
SAPTARSHI |
- |
- |
- |
|
A |
1 |
1 |
|
|
STAR |
58 |
13 |
|
|
SHIP |
52 |
25 |
|
9 |
SAPTARSHI |
111 |
39 |
12 |
- |
- |
1+1+1 |
3+9 |
1+2 |
9 |
SAPTARSHI |
3 |
12 |
3 |
- |
- |
- |
1+2 |
- |
9 |
SAPTARSHI |
3 |
3 |
3 |
-- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
|
|
1 |
|
|
|
1 |
8 |
9 |
|
|
|
|
1+9 |
|
|
1+0 |
|
|
|
- |
- |
|
|
19 |
|
|
|
19 |
8 |
9 |
|
|
|
|
5+5 |
|
|
1+0 |
|
|
|
-- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
- |
1 |
|
|
2 |
1 |
9 |
|
|
|
7 |
|
|
|
2+0 |
|
|
|
|
|
|
- |
- |
1 |
|
|
20 |
1 |
18 |
|
|
|
16 |
|
|
|
5+6 |
|
|
1+1 |
|
|
|
-- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
- |
1 |
|
19 |
20 |
1 |
18 |
19 |
8 |
9 |
16 |
|
|
|
1+1+1 |
|
|
|
|
|
|
- |
- |
1 |
|
1 |
2 |
1 |
9 |
1 |
8 |
9 |
7 |
|
|
|
3+9 |
|
|
1+2 |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
4 |
= |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
THREE |
3 |
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
FOUR |
4 |
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
FIVE |
5 |
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
SIX |
6 |
|
|
|
|
|
- |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
7 |
= |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
8 |
= |
|
|
- |
|
|
|
- |
|
9 |
|
|
9 |
|
|
|
|
occurs |
x |
|
= |
|
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+8 |
|
|
|
|
- |
|
|
|
|
|
|
|
|
2+7 |
|
|
|
|
3+9 |
|
3+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
1 |
2 |
1 |
9 |
1 |
8 |
9 |
7 |
|
|
|
|
|
|
|
1+2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
|
1 |
|
|
|
1 |
8 |
9 |
|
|
|
|
1+9 |
|
|
1+0 |
|
|
|
- |
|
|
19 |
|
|
|
19 |
8 |
9 |
|
|
|
|
5+5 |
|
|
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
1 |
|
|
2 |
1 |
9 |
|
|
|
7 |
|
|
|
2+0 |
|
|
|
|
|
|
- |
1 |
|
|
20 |
1 |
18 |
|
|
|
16 |
|
|
|
5+6 |
|
|
1+1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
1 |
|
19 |
20 |
1 |
18 |
19 |
8 |
9 |
16 |
|
|
|
1+1+1 |
|
|
|
|
|
|
- |
1 |
|
1 |
2 |
1 |
9 |
1 |
8 |
9 |
7 |
|
|
|
3+9 |
|
|
1+2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
4 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
7 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
8 |
= |
|
- |
|
|
|
- |
|
9 |
|
|
9 |
|
|
|
|
occurs |
x |
|
= |
|
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
2+7 |
|
|
|
|
3+9 |
|
3+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
1 |
2 |
1 |
9 |
1 |
8 |
9 |
7 |
|
|
|
|
|
|
|
1+2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
SAPTARSHI |
111 |
39 |
3 |
|
|
|
|
|
|
|
|
|
- |
|
THE |
33 |
15 |
|
|
STAR |
58 |
13 |
|
|
SHIP |
52 |
25 |
|
|
IS |
28 |
10 |
|
13 |
Add to Reduce |
171 |
63 |
18 |
1+3 |
Reduce to Deduce |
1+7+1 |
6+3 |
1+8 |
4 |
Essence of Number |
9 |
9 |
9 |
9 |
SAPTARSHI |
- |
- |
- |
|
A |
1 |
1 |
|
|
PAST |
56 |
11 |
|
|
RISH |
54 |
27 |
|
9 |
SAPTARSHI |
111 |
39 |
12 |
- |
- |
1+1+1 |
3+9 |
1+2 |
9 |
SAPTARSHI |
3 |
12 |
3 |
- |
- |
- |
1+2 |
- |
9 |
SAPTARSHI |
3 |
3 |
3 |
-- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
|
|
|
|
1 |
|
|
|
9 |
1 |
8 |
|
|
|
1+9 |
|
|
1+0 |
|
|
|
- |
- |
|
|
|
|
19 |
|
|
|
9 |
19 |
8 |
|
|
|
5+5 |
|
|
1+0 |
|
|
|
-- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
- |
1 |
|
7 |
1 |
|
2 |
|
9 |
|
|
|
|
|
|
2+0 |
|
|
|
|
|
|
- |
- |
1 |
|
16 |
1 |
|
20 |
|
18 |
|
|
|
|
|
|
5+6 |
|
|
1+1 |
|
|
|
-- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
- |
1 |
|
16 |
1 |
19 |
20 |
|
18 |
9 |
19 |
8 |
|
|
|
1+1+1 |
|
|
|
|
|
|
- |
- |
1 |
|
7 |
1 |
1 |
2 |
|
9 |
9 |
1 |
8 |
|
|
|
3+9 |
|
|
1+2 |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
4 |
= |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
THREE |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
FOUR |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
FIVE |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
SIX |
6 |
|
|
|
|
|
- |
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
7 |
= |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
8 |
= |
|
|
- |
|
|
|
|
|
- |
|
9 |
9 |
|
|
|
|
|
occurs |
x |
|
= |
|
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+8 |
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
2+7 |
|
|
|
|
3+9 |
|
3+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
7 |
1 |
1 |
2 |
|
9 |
9 |
1 |
8 |
|
|
|
|
|
|
|
1+2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
|
|
|
1 |
|
|
|
9 |
1 |
8 |
|
|
|
1+9 |
|
|
1+0 |
|
|
|
- |
|
|
|
|
19 |
|
|
|
9 |
19 |
8 |
|
|
|
5+5 |
|
|
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
1 |
|
7 |
1 |
|
2 |
|
9 |
|
|
|
|
|
|
2+0 |
|
|
|
|
|
|
- |
1 |
|
16 |
1 |
|
20 |
|
18 |
|
|
|
|
|
|
5+6 |
|
|
1+1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
1 |
|
16 |
1 |
19 |
20 |
|
18 |
9 |
19 |
8 |
|
|
|
1+1+1 |
|
|
|
|
|
|
- |
1 |
|
7 |
1 |
1 |
2 |
|
9 |
9 |
1 |
8 |
|
|
|
3+9 |
|
|
1+2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
4 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
7 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
8 |
= |
|
- |
|
|
|
|
|
- |
|
9 |
9 |
|
|
|
|
|
occurs |
x |
|
= |
|
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
2+7 |
|
|
|
|
3+9 |
|
3+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
7 |
1 |
1 |
2 |
|
9 |
9 |
1 |
8 |
|
|
|
|
|
|
|
1+2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
ESOTERIC |
|
|
|
|
E |
5 |
5 |
|
|
S |
19 |
10 |
|
|
O |
15 |
6 |
|
|
T |
20 |
2 |
|
|
E |
5 |
5 |
|
|
R |
18 |
9 |
|
|
I |
9 |
9 |
|
|
C |
3 |
3 |
|
8 |
|
94 |
49 |
|
|
|
9+4 |
4+9 |
4+0 |
8 |
|
13 |
13 |
|
|
|
1+3 |
1+3 |
|
8 |
|
4 |
4 |
|
ESOTERIC O SECRET I ESOTERIC
ESOTERIC
6 SECRET 9
ESOTERIC
ESOTERIC O SECRET I ESOTERIC
|
ESOTERIC |
|
|
|
|
O |
15 |
6 |
|
|
SECRET |
70 |
34 |
|
|
I |
9 |
9 |
|
8 |
|
94 |
49 |
|
|
|
9+4 |
4+9 |
2+2 |
8 |
|
13 |
13 |
|
|
|
1+3 |
1+3 |
|
8 |
|
4 |
4 |
|
|
ESOTERIC |
|
|
|
|
I |
9 |
9 |
|
|
SECRET |
70 |
34 |
|
|
O |
15 |
6 |
|
8 |
|
94 |
49 |
|
|
|
9+4 |
4+9 |
2+2 |
8 |
|
13 |
13 |
|
|
|
1+3 |
1+3 |
|
8 |
|
4 |
4 |
|
ESOTERIC I SECRET O ESOTERIC
ESOTERIC
9 SECRET 6
ESOTERIC
ESOTERIC O SECRET I ESOTERIC
J |
= |
1 |
- |
6 |
JOSEPH |
73 |
28 |
1 |
J |
= |
1 |
- |
5 |
JESUS |
74 |
11 |
2 |
M |
= |
4 |
- |
4 |
MARY |
57 |
21 |
3 |
- |
- |
6 |
- |
|
- |
|
|
|
- |
- |
- |
- |
1+5 |
- |
2+0+4 |
6+0 |
- |
- |
- |
- |
- |
|
|
|
|
|
- |
- |
- |
- |
|
|
- |
- |
- |
- |
- |
- |
- |
|
|
|
|
|
|
|
|
|
6 |
JOSEPH |
1 |
6+1 |
7 |
- |
- |
- |
- |
5 |
JESUS |
2 |
5+2 |
7 |
- |
- |
- |
- |
4 |
MARY |
3 |
4+3 |
7 |
RE THE HOLY FAMILY
REMEMBER THE HOLY SEVEN
THE ROOT NUMBER OF THE 6 LETTERED JOSEPH = 1 (6+1) = 7
THE ROOT NUMBER OF THE 5 LETTERED JESUS = 2 (2+5) = 7
THE ROOT NUMBER OF THE 4 LETTERED MARY = 3 (4+3) = 7
J |
= |
1 |
- |
6 |
JOSEPH |
73 |
28 |
1 |
J |
= |
1 |
- |
5 |
JESUS |
74 |
11 |
2 |
M |
= |
4 |
- |
4 |
MARY |
57 |
21 |
3 |
- |
- |
6 |
- |
|
- |
|
|
|
- |
- |
- |
- |
1+5 |
- |
2+0+4 |
6+0 |
- |
- |
- |
- |
- |
|
|
|
|
|
- |
- |
- |
- |
|
|
- |
- |
- |
- |
- |
- |
- |
|
|
|
|
|
|
|
|
|
6 |
JOSEPH |
1 |
6+1 |
7 |
- |
- |
- |
- |
5 |
JESUS |
2 |
5+2 |
7 |
- |
- |
- |
- |
4 |
MARY |
3 |
4+3 |
7 |
JOSEPH JESUS MARY
J |
= |
1 |
- |
6 |
JOSEPH |
73 |
28 |
1 |
J |
= |
1 |
- |
5 |
JESUS |
74 |
11 |
2 |
M |
= |
4 |
- |
4 |
MARY |
57 |
21 |
3 |
- |
- |
6 |
- |
|
- |
|
|
|
- |
- |
- |
- |
1+5 |
- |
2+0+4 |
6+0 |
- |
- |
- |
6 |
- |
|
|
|
|
|
- |
- |
- |
- |
|
|
- |
- |
- |
- |
- |
- |
- |
|
|
|
|
|
|
|
|
|
6 |
JOSEPH |
1 |
6+1 |
7 |
- |
- |
- |
- |
5 |
JESUS |
2 |
5+2 |
7 |
- |
- |
- |
- |
4 |
MARY |
3 |
4+3 |
7 |
SEVENS EVENS SEVEN
- |
EGYPT |
- |
- |
- |
- |
- |
- |
1 |
E |
5 |
5 |
5 |
|
- |
5 |
1 |
G |
7 |
7 |
7 |
- |
7 |
- |
1 |
Y |
25 |
7 |
7 |
- |
7 |
- |
1 |
P |
16 |
7 |
7 |
- |
7 |
- |
1 |
T |
20 |
2 |
2 |
|
- |
2 |
5 |
EGYPT |
73 |
28 |
28 |
- |
21 |
7 |
|
- |
7+3 |
2+8 |
2+8 |
- |
2+1 |
- |
5 |
EGYPT |
10 |
10 |
10 |
|
3 |
7 |
|
- |
1+0 |
1+0 |
1+0 |
- |
- |
- |
5 |
EGYPT |
1 |
1 |
1 |
|
3 |
7 |
LOOK AT THE SEVENS LOOK AT THE SEVENS LOOK AT THE SEVENS THE SEVENS THE SEVENS
What Is the Biblical Significance of the Number 7? - Christianity
www.christianity.com › wiki › bible › what-is-the-biblical-significance-of-t...
31 Jan 2020 · In Scripture, seven often symbolizes completion or perfection. Genesis tells us that God created the heavens and the Earth in six days, and, ...
Symbolism of the number 7 - Wikipedia
en.wikipedia.org › wiki › Symbolism_of_the_number_7
Judaism[edit] · Seven days of Creation, leading to the seventh day or Sabbath (Genesis 1) · Seven-fold vengeance visited on upon Cain for the killing of Abel ( ...
Classical antiquity · Religion and mythology · Judaism · Christianity
List of Sevens in the Bible: Updated 03/07/2018
sevensinthebible.com › list-of-sevens-in-the-bible
In the New Testament the number seven symbolizes the unity of the four corners of the Earth with the Holy Trinity. The number seven is also featured in the Book ...
Meaning of the Number 7 in the Bible
www.biblestudy.org › Unique Studies
Seven is the number of completeness and perfection (both physical and spiritual). It derives much of its meaning from being tied directly to God's creation of ...
What is the biblical significance of the number seven/7?
www.gotquestions.org › Content Index › Bible › Studying the Bible
Thus, right at the start of the Bible, the number 7 is identified with something being “finished” or “complete.” From then on, that association continues, as 7 ...
What are the seventy sevens in Daniel 9:24-27? | GotQuestions.org
What did Jesus mean when He said that we should forgive others
More results from www.gotquestions.org
Duration: 5:04
Posted: 28 May 2014
Why Is Number 7 So Important in the Bible? - Crosswalk
www.crosswalk.com › faith › bible-study › why-is-number-7-so-important...
23 Oct 2019 · Seven is a holy number that often represents completion or divine fulfilment. God has used seven multiple times throughout Scripture for Jewish ...
Reference List - Sevens - King James Bible Dictionary
kingjamesbibledictionary.com › Dictionary › sevens
Bible Usage: seven used 463 times. sevens used twice. First Reference: Genesis 7:2; Last ...
Significance of the number 7 (seven) in the Bible? - JesusAlive.cc
jesusalive.cc › number-seven-significance-in-bible
Of these 6 numbers we are looking at, the number 7 is the most prominent, and also most important number in the Bible. It is used 465 times in the Bible, and if ...
The Significance of Seven in the Bible Podcast | BibleProject™
bibleproject.com › podcast › significance-7
, the word or number "seven" has two key symbolic meanings: seven represents a full and complete world, and getting to seven is a linear journey from one to ...
Seven, the Biblical Number - TheTorah.com
www.thetorah.com › article › seven-the-biblical-number
17 Mar 2021 · The Most Important Symbolic Number in the Bible ... Although the numbers 1, 2, and 3 occur more frequently, the number 7 is the most important ...
The great majority of Christians worship Jesus as the incarnation of God the Son, the second of three persons of the Trinity. ...
According to the Bible, how old was Jesus when he was crucified?
www.quora.com › According-to-the-Bible-how-old-was-Jesus-when-he-wa...
Jesus was thirty three years of age, when He died on the cross. He began His ministry at the age of thirty. His entire ministry was accomplished in three years.
"There are 333 prophecies all performed in one person, Jesus Christ."
MORE THAN A CARPENTER by Josh McDowell - Secular Web
infidels.org/library/modern/gaunilo2/more.html
The Fool feels that he must look elsewhere for any possible truth about this man that McDowell says is 'More Than a Carpenter.'
Review of More Than a Carpenter by Josh McDowell
reviewed "In Behalf of the Fool" (1980)
The Fool recently had the pleasure of hearing Josh McDowell entertain a packed house, mainly of college students, on the topic of "Maximum Sex." The audience was snuggled together on the rug of a college cafeteria and listened attentively as he did a mildly suggestive stand-up night club type comic routine--interspersed with God talk and gentle admonitions about sex, both minimum and maximum.
Earlier in the day, the Fool had heard McDowell talk in the Free Speech area on the same campus. The main point of the earlier talk seemed to be the statistical improbability of Jesus not being God. McDowell said, "There are 333 prophecies all performed in one person, Jesus Christ." The Fool kept wondering what would happen mathematically if just one of the alleged prophecies turned out to be false.
WALKING ON GLASS
Iain Banks. 1985
Page 3
TU 28. pm. 3:33.
He stood on the steps for a second, smiling at the figures on the face of the watch. Three three three. A good omen. Today was a day things would come together, a day events would coalesce. It was bright outside, even after the painted lightness of the marble-flaked corridor. The air was warm, slightly ...
- |
- |
- |
- |
6 |
THREES |
- |
- |
- |
T |
= |
2 |
- |
1 |
T |
20 |
2 |
2 |
H |
= |
8 |
- |
1 |
H |
8 |
8 |
8 |
R |
= |
9 |
- |
1 |
R |
18 |
9 |
9 |
E |
= |
5 |
- |
1 |
E |
5 |
5 |
5 |
E |
= |
5 |
- |
1 |
E |
5 |
5 |
5 |
S |
= |
1 |
- |
1 |
S |
19 |
10 |
1 |
- |
- |
30 |
|
6 |
THREES |
|
|
|
- |
- |
3+0 |
- |
- |
- |
7+5 |
3+9 |
3+3 |
- |
- |
3 |
- |
6 |
THREES |
|
|
3 |
- |
- |
- |
- |
- |
- |
1+2 |
1+2 |
- |
- |
- |
3 |
- |
6 |
THREES |
|
|
3 |
THREES = 3 = THREES
THREE = 2 = THREE
MORE THAN A CARPENTER
Josh Mc Dowell 1977
Page 58 (number omitted)
Chapter
9
"Will the Real Messiah Please Stand up"
7 |
MESSIAH |
- |
- |
- |
- |
M+E |
18 |
9 |
|
- |
S+S |
38 |
20 |
|
- |
I |
9 |
9 |
|
- |
A+H |
9 |
9 |
|
7 |
MESSIAH |
74 |
47 |
29 |
- |
- |
7+4 |
4+7 |
2+9 |
7 |
MESSIAH |
11 |
11 |
11 |
- |
- |
1+1 |
1+1 |
1+1 |
7 |
MESSIAH |
2 |
2 |
2 |
I
INCA = 9531 = INCA
INCARNATION TO INCARNATION
Word Records > Longest Words This is the longest word in the first edition of the Oxford English Dictionary. Interestingly the most common letter in English, E, does not appear in this ...
www.fun-with-words.com/word_longest.html -
What is the most common letter? | Answerbag What is the most common letter? the bills they keep sending me. ... Im Alec. The most common letters in the English language are, in order, ETAOINSHRDLU. ...
www.answerbag.com/q_view/111800 -
Herbert S. Zim, in his classic introductory cryptography text "Codes and Secret Writing", gives the English letter frequency sequence as "ETAON RISHD LFCMU GYPWB VKXJQ Z", the most common letter pairs as "TH HE AN RE ER IN ON AT ND ST ES EN OF TE ED OR TI HI AS TO", and the most common doubled letters as "LL EE SS OO TT FF RR NN PP CC".[1]
"ETAON RISHD LFCMU GYPWB VKXJQ Z"
SAPTARSHI A STARSHIP SAPTARSHI
SAPTARSHI A PAST RISHI SAPTARSHI
WISDOM OF THE EAST
by Hari Prasad Shastri 1948
Page 8
"There is no such word in Sanscrita as 'Creation' applied to the universe. The Sanscrita word for Creation is Shristi, which means 'projection' Creation means to bring something into being out /Page 9/ of nothing, to create, as a novelist creates a character. There was no Miranda, for example, until Shakespeare created her. Similarly the ancient Indians (this term is innacurately used as there was no India at that time). who were our ancestors long, long ago. used a word for creation that means 'projection'
http://en.wikipedia.org/wiki/Rishi
RISHI
ETYMOLOGY
The word's etymology is unknown. It has an Avestan cognate ərəšiš (Yasna 31.5) "an ecstatic" (see also Yurodivy, Vates). Monier-Williams tentatively suggests derivation from drś "to see"(1) and he also compares Old Irish arsan, "a sage, a man old in wisdom". Manfred Mayrhofer in his Etymological Dictionary prefers a connection to either (omitted) "pour, flow" (PIE) *h1ers), or to ras "yell".
In the Vedas, the word denotes a singer of sacred hymns, an inspired poet or sage, or any person who alone or with others invokes the deities in rhythmical speech or song of a sacred character. In particular, it refers to the authors of the hymns of the Rigveda, e.g. Kutsa, Atri, Rebha, Agastya,Kushika, Vasishtha, Vyashva. Later generations regarded the Rishis as patriarchal sages or saints, occupying the same position in India history as the heroes and patriarchs of other countries, constituting a peculiar class of beings in the early mythical system, as distinct from Asuras, Devas and mere mortal men.
Seven Rishis (the Saptarshi) are often mentioned in the Brahmanas and later works as typical representatives of the character and spirit of the pre-historic or mythical period; in Shatapatha Brahmana 14.5.2.6, their names are Gautama, Bharadvaja, Vishvamitra, Jamadagni, Vasishtha, Kashyapa, and Atri. In Mahabharata 12, on the other hand, Marici, Atri, Angiras, Pulaha, Kratu, Pulastya and Vasishtha. In addition to the Saptarshi, there are other classifications of sages. In descending order of precedence, they are Brahmarshi, Maharshi, Rajarshi.
In Vedic astronomy, the Saptarsh form the constellation of Ursa Major (e. g. RV 10.82.2; AV. 60.40.1. Metaphorically the Saptarsh may stand for the seven senses or the seven vital airs of the body.
"Seven Rishis (the Saptarsh) are often mentioned in the Brahmanas"
"In Vedic astronomy, the Saptarsh form the constellation of Ursa Major"
"Saptarsh may stand for the seven senses or the seven vital airs of the body"
SAPTARSHI A STARSHIP SAPTARSHI
SAPTARSHI A PAST RISH SAPTARSHI
9 |
SAPTARSHI |
- |
- |
- |
|
A |
1 |
1 |
|
|
PAST |
56 |
11 |
|
|
RISH |
54 |
27 |
|
9 |
SAPTARSHI |
111 |
39 |
12 |
- |
- |
1+1+1 |
3+9 |
1+2 |
9 |
SAPTARSHI |
3 |
12 |
3 |
- |
- |
- |
1+2 |
- |
9 |
SAPTARSHI |
3 |
3 |
3 |
- |
|
|
|
|
3 |
S+A+P |
36 |
18 |
9 |
2 |
T+A |
21 |
3 |
3 |
4 |
R+S+H+I |
27 |
18 |
9 |
9 |
SAPTARSHI |
111 |
39 |
21 |
- |
- |
1+1+1 |
3+9 |
2+1 |
9 |
SAPTARSHI |
3 |
12 |
3 |
- |
- |
- |
1+2 |
- |
9 |
SAPTARSHI |
3 |
3 |
3 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
9 |
SAPTARSHI |
111 |
39 |
3 |
9 |
A
STARSHIP |
111 |
39 |
3 |
- |
|
|
|
|
2 |
S+A |
20 |
11 |
2 |
2 |
P+T |
36 |
9 |
9 |
1 |
A |
1 |
1 |
1 |
1 |
R |
18 |
9 |
9 |
2 |
SH |
27 |
18 |
9 |
1 |
I |
9 |
9 |
9 |
9 |
SAPTARSHI |
111 |
57 |
39 |
- |
- |
1+1+1 |
5+7 |
3+9 |
9 |
SAPTARSHI |
3 |
12 |
12 |
- |
- |
- |
1+2 |
1+2 |
9 |
A
STARSHIP |
3 |
3 |
3 |
- |
|
|
|
|
1 |
A |
1 |
1 |
1 |
3 |
S+T+A |
40 |
13 |
4 |
1 |
R |
18 |
9 |
9 |
2 |
SH |
27 |
18 |
9 |
1 |
I |
9 |
9 |
9 |
1 |
P |
16 |
7 |
7 |
9 |
A STARSHIP |
111 |
57 |
39 |
- |
- |
1+1+1 |
5+7 |
3+9 |
9 |
A STARSHIP |
3 |
12 |
12 |
- |
- |
- |
1+2 |
1+2 |
9 |
SAPTARSHI |
3 |
3 |
3 |
SAPTARSHI A STAR SHIP A STAR
SHIP SAPTARSHI
9 |
SAPTARSHI |
- |
- |
- |
|
A |
1 |
1 |
|
|
STAR |
58 |
13 |
|
|
SHIP |
52 |
25 |
|
9 |
SAPTARSHI |
111 |
39 |
12 |
- |
- |
1+1+1 |
3+9 |
1+2 |
9 |
SAPTARSHI |
3 |
12 |
3 |
- |
- |
- |
1+2 |
- |
9 |
SAPTARSHI |
3 |
3 |
3 |
9 |
SAPTARSHI |
111 |
39 |
12 |
|
|
|
|
|
|
|
|
|
- |
|
THE |
33 |
15 |
|
|
STAR |
58 |
13 |
|
|
SHIP |
52 |
25 |
|
|
IS |
19 |
10 |
|
13 |
Add to Reduce |
162 |
63 |
18 |
1+3 |
Reduce to Deduce |
1+6+2 |
6+3 |
1+8 |
4 |
Essence of Number |
9 |
9 |
9 |
SAPTARSHI A STARSHIP SAPTARSHI
SAPTARSHI A PAST RISHI SAPTARSHI
SAPTARSHI A STAR SHIP A STAR SHIP SAPTARSHI
SAPTARISHI
Saptarishi
From Wikipedia, the free encyclopedia
Matsya (fish) rescues the Saptarishi and Manu from the great Deluge
The Saptarishi (seven great yogis) (from Sanskrit:(saptarshi), a Sanskrit dvigu meaning "seven sages") are the seven rishis in ancient India, who are extolled at many places in the Vedas and Jivan literature. The Vedic Samhitas never enumerate these rishis by name, though later Vedic texts such as the Brahmanas and Upanisads do so. They are regarded in the Vedas as the patriarchs of the Vedic religion.
The earliest list of the Seven Rishis is given by Jaiminiya Brahmana 2.218-221: Agastya, Atri, Bhardwaja, Gautam, Jamadagni, Vashistha and Vishvamitra followed by Brihadaranyaka Upanisad 2.2.6 with a slightly different list: Gautama and Bharadvaja, Vishvamitra and Jamadagni, Vashistha and Kashyapa and Atri, Bhrigu. The late Gopatha Brahmana 1.2.8 has Vashistha, Vishvamitra, Jamadagni, Gautama, Bharadvaja, Gungu, Agastya, Bhrigu and Kashyapa.
In post-Vedic texts, different lists appear; some of these rishis were recognized as the 'mind-born sons' (Sanskrit: ??? ?????, manasputra) of Brahma, the representation of the Supreme Being as Creator. Other representations are Mahesh or Shiva as the Destroyer and Vishnu as the Preserver. Since these seven rishis were also among the primary seven rishis, who were considered to be the ancestors of the Gotras of Brahmins, the birth of these rishis was mythicized.
In ancient Indian astronomy, the constellation of the Big Dipper (Ursa Major) is called saptarishi, with the seven stars representing seven rishis, namely "Vashistha", "Marichi", "Pulastya", "Pulaha", "Atri", "Angiras" and "Kratu". There is another star slightly visible within it, known as "Arundhati". Arundhati is the wife of Vashistha. Vashishtha and Arundhati together form the Mizar double.[1]
Stars of Saptarishi (Ursa Major) with their Indian astronomical names
As per legend, the seven Rishis in the next Manvantara will be Diptimat, Galava, Parashurama, Kripa, Drauni or Ashwatthama, Vyasa and Rishyasringa.
- |
|
|
|
|
1 |
S |
19 |
10 |
1 |
1 |
A |
1 |
1 |
1 |
1 |
P |
16 |
7 |
7 |
1 |
T |
20 |
2 |
2 |
1 |
A |
1 |
1 |
1 |
1 |
R |
18 |
9 |
9 |
1 |
I |
9 |
9 |
9 |
1 |
S |
19 |
10 |
1 |
1 |
H |
8 |
8 |
8 |
1 |
I |
9 |
9 |
9 |
10 |
SAPTARISHI |
120 |
66 |
48 |
1+0 |
- |
1+2+0 |
6+6 |
4+8 |
1 |
SAPTARISHI |
3 |
12 |
12 |
- |
- |
- |
1+2 |
1+2 |
1 |
SAPTARISHI |
3 |
3 |
3 |
- |
|
|
|
|
1 |
S |
19 |
10 |
1 |
1 |
A |
1 |
1 |
1 |
1 |
A |
1 |
1 |
1 |
1 |
S |
19 |
10 |
1 |
1 |
T |
20 |
2 |
2 |
1 |
P |
16 |
7 |
7 |
1 |
H |
8 |
8 |
8 |
1 |
R |
18 |
9 |
9 |
1 |
I |
9 |
9 |
9 |
1 |
I |
9 |
9 |
9 |
10 |
SAPTARISHI |
120 |
66 |
48 |
1+0 |
- |
1+2+0 |
6+6 |
4+8 |
1 |
SAPTARISHI |
3 |
12 |
12 |
- |
- |
- |
1+2 |
1+2 |
1 |
SAPTARISHI |
3 |
3 |
3 |
- |
|
|
|
|
2 |
S+A |
20 |
11 |
2 |
2 |
P+T |
36 |
9 |
9 |
1 |
A |
1 |
1 |
1 |
1 |
R |
18 |
9 |
9 |
1 |
I |
9 |
9 |
9 |
2 |
SH |
27 |
18 |
9 |
1 |
I |
9 |
9 |
9 |
10 |
SAPTARISHI |
120 |
66 |
48 |
1+0 |
- |
1+1+1 |
6+6 |
4+8 |
1 |
SAPTARISHI |
3 |
12 |
12 |
- |
- |
- |
1+2 |
1+2 |
1 |
SAPTARISHI |
3 |
3 |
3 |
http://www.funscience.in/study-zone/Physics/Universe/StarConstellations.php#sthash.tebFfNXy.dpbs
STAR CONSTELLATIONS
Constellations are small groups of stars which appear in sky in specific shapes. There are about 88 constellations known to us. The names of these constellations have been derived from the names of animals or objects to which they appear to resemble. Some of the important and easily recognizable constellations are:
Ursa Constellation or Great Bear Constellation
The great bear constellation is also called ursa major, big bear and saptarishi (in Hindi). This constellation consists of seven stars making up a pattern resembling with a big bear. This constellation can be seen easily in the north sky in the month of July.
With the help of great bear constellation, the position of pole star can be easily located. Pole star is also called Dhruv tara in Hindi. It is situated immediately above the north pole of the earth. Pole star remains stationary at its position, and all the other stars appear to revolve around the pole star from east to west direction. To locate the position of pole star with the help of great bear constellation, imagine a line between the star 1 and star 2. Now, extend this imaginary line in north direction. This extended imaginary line always leads to the pole star.
SAPTARISHI
|
SHAPESHIFTERS |
|
|
- |
|
SHAPE |
49 |
22 |
|
|
SHIFTERS |
104 |
41 |
|
13 |
SHAPESHIFTERS |
153 |
63 |
|
1+3 |
|
1+5+3 |
6+3 |
|
4 |
|
9 |
9 |
|
1 |
I |
9 |
9 |
9 |
2 |
IS |
28 |
19 |
1 |
4 |
ISIS |
56 |
20 |
2 |
6 |
OSIRIS |
89 |
35 |
8 |
4 |
IRIS |
55 |
28 |
1 |
6 |
SIRIUS |
95 |
32 |
5 |
6 |
SOTHIS |
90 |
27 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
4 |
ISHI |
45 |
27 |
9 |
5 |
RISHI |
63 |
36 |
9 |
5 |
IRISH |
63 |
36 |
9 |
THE
CHRISTOS
SEE HERE IS THE CHRISTOS
SO C HERE IS THE CHRIST
SO SEE HERE IS THE RISH
SO C HERE IS THE RISH
SO C HERE IS THE 999
RE IS IS RE
95 IS IS 95
CHRIST C RISH T CHRIST
OSIRIS 619991 OSIRIS
IRIS ISIS ISIS IRIS
KRISHNA 2991851 KRISHNA
RISH N KA KA N RISH
RISH 5 KA KA 5 RISH
- |
RISHI |
- |
- |
- |
1 |
R |
18 |
9 |
9 |
1 |
I |
9 |
9 |
9 |
2 |
S+H |
27 |
18 |
9 |
1 |
I |
9 |
9 |
9 |
5 |
RISHI |
63 |
45 |
27 |
- |
- |
6+3 |
4+5 |
2+7 |
5 |
RISHI |
9 |
9 |
9 |
R ISH HIS R
SAPTARISHI
Saptarishi
From Wikipedia, the free encyclopedia
Matsya (fish) rescues the Saptarishi and Manu from the great Deluge
The Saptarishi (seven great yogis) (from Sanskrit:(saptarshi), a Sanskrit dvigu meaning "seven sages") are the seven rishis in ancient India, who are extolled at many places in the Vedas and Jivan literature. The Vedic Samhitas never enumerate these rishis by name, though later Vedic texts such as the Brahmanas and Upanisads do so. They are regarded in the Vedas as the patriarchs of the Vedic religion.
CHRIST C RISH T CHRIST
- |
CHRIST |
- |
- |
- |
|
C |
3 |
3 |
|
|
RISH |
54 |
27 |
|
|
T |
20 |
2 |
|
6 |
CHRIST |
77 |
32 |
14 |
- |
- |
7+7 |
3+2 |
1+4 |
6 |
CHRIST |
14 |
5 |
5 |
SPIRIT I TRIPS I SPIRIT
THE
CHRISTOS SO CHRISTOS
SO
CHRIST
IS
CHRIST C HR IS T CHRIST
C HERE IS THE RISH
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
C |
= |
3 |
|
6 |
|
77 |
32 |
5 |
|
|
|
|
|
|
|
|
|
|
S |
= |
1 |
|
3 |
|
29 |
20 |
2 |
|
|
|
|
|
|
|
|
|
|
H |
= |
8 |
|
4 |
HERE |
36 |
27 |
9 |
|
|
|
|
|
|
|
|
|
|
I |
= |
9 |
|
2 |
|
28 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
|
3 |
|
33 |
15 |
6 |
|
|
|
|
|
|
|
|
|
|
R |
= |
9 |
|
4 |
|
54 |
27 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4+1 |
|
2+2 |
Add to Reduce |
3+0+7 |
1+2+7 |
2+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Reduce to Deduce |
1+0 |
1+0 |
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
Maharishi - definition of maharishi by The Free Dictionary
www.thefreedictionary.com/maharishi
Define maharishi. maharishisynonyms, maharishi pronunciation, maharishi translation, English dictionary definition of maharishi. n. pl. ma·ha·ri·shis Hinduism 1.
maharishi
Also found in: Encyclopedia, Wikipedia.
ma·ha·ri·shi
(mä′hə-rē′shē, mə-här′ə-shē)
n. pl. ma·ha·ri·shis Hinduism
1. A teacher of mysticism and spiritual knowledge.
2. Used as a title for such a person.
[Sanskrit mahārṣiḥ : mahā-, great; see meg- in Indo-European roots + ṛṣiḥ, seer, sage, saint; see ers- in Indo-European roots.]
American Heritage® Dictionary of the English Language, Fifth Edition. Copyright © 2011 by Houghton Mifflin Harcourt Publishing Company. Published by Houghton Mifflin Harcourt Publishing Company. All rights reserved.
maharishi
(ˌmɑːhɑːˈriːʃɪ; məˈhɑːriːʃɪ)
n
1. (Hinduism) Hinduism a Hindu teacher of religious and mystical knowledge
[from Hindi, from mahā great + rishi sage, saint]
Collins English Dictionary – Complete and Unabridged © HarperCollins Publishers 1991, 1994, 1998, 2000, 2003
ma•ha•ri•shi
(mɑ həˈri ʃi, məˈhɑr ə-)
n., pl. -shis.
a Hindu religious sage.
[< Skt, =maha- great + -rṣi, comb. form of ṛṣi saint]
Random House Kernerman Webster's College Dictionary, © 2010 K Dictionaries Ltd. Copyright 2005, 1997, 1991 by Random House, Inc. All rights reserved
maharishi
A Hindi word meaning great sage, used to mean a teacher of spiritual knowledge.
maharishi: meaning and definitions - Dictionary - Infoplease
dictionary.infoplease.com/maharishi
maharishi: Definition and Pronunciation.
ma•ha•ri•shi
Pronunciation: (mä-hu-rē'shē, mu-här'u-), [key]
—n. Hinduism.
1. a teacher of spiritual and mystical knowledge; religious sage: often used as an honorary title.
2. any of the seven great mythological seers of the Vedic and post-Vedic writings: identified with the seven stars of Ursa Major.
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2 |
|
14 |
5 |
|
|
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|
|
2 |
|
9 |
9 |
|
|
|
|
|
1 |
|
18 |
9 |
|
|
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|
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|
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2 |
|
27 |
18 |
|
|
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|
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8+6 |
5+9 |
5+0 |
|
|
|
|
|
MA HA RI SHI |
|
|
|
|
|
|
|
|
|
1+4 |
1+4 |
|
|
|
|
|
|
MA HA RI SHI |
|
|
|
BELOVED ISIS QUEEN OF THE NIGHT COME WEAVE THY WEB WITH RAPID LIGHT
THE LOST LANGUAGE OF SYMBOLISM
Harold Bayley 1912
Page 278
""According to the authors of The Perfect Way, the words IS and ISH originally meant Light, and the name ISIS, once ISH-ISH, was Egyptian for Light-Light."
Page 278
"ONE-EYE, TWO-EYES, THREE-EYES"
"According to the authors of The Perfect Way, the words IS and ISH originally meant Light, and the name ISIS, once ISH-ISH,
THE HOLY BIBLE
Scofield References
Hosea Chapter 2
Page 922/923
16
And it shall be at that day, saith the LORD, that thou shalt call me Ishi; and shalt call me no more Baali.
AND IT SHALL BE AT THAT DAY SAITH THE LORD THAT THOU SHALT CALL ME
ISHI
4 |
|
45 |
36 |
9 |
3 |
999 |
27 |
27 |
9 |
4 |
|
45 |
36 |
9 |
THE WHITE GODDESS
Robert Graves 1948
Page 337
Chapter Eighteen
THE BULL FOOTED GOD
"Isis is an onomatopoeic Asiatic word, Ish-ish, meaning 'she who weeps', because the Moon was held to scatter dew and because Isis, the pre-Christian original of the Mater Dolrosa, mourned for Osiris when Set killed him."
ISH ISH = 99 99 = ISH ISH
THE WHITE GODDESS
Robert Graves 1948
Page 149
Chapter Nine
GWIONS HERESY
"The Essene initiates, according to Josephus, were sworn to keep secret the names of the powers who ruled their universe under God. Were these powers the letters of the Boibel-Loth which together, composed the life and death story of their demi-god Moses? 'David' may seem to belong to a later context than the others, but it is found as a royal title in a sixteenth century B.C inscription; and the Pentateuch was not composed until long /Page 150/ after King David's day Moreover, David for the Essenes was the name of the promised messiah."
HOLY BIBLE
Scofield References
C 1 V 16
THE ACTS OF THE APOSTLES
Page 1148 (Part quoted)
"MEN AND BRETHREN THIS SCRIPTURE MUST NEEDS HAVE BEEN FULFILLED
WHICH THE HOLY GHOST BY THE MOUTH OF DAVID SPAKE"
BHAGAVAD GITA
ARUJNA KRISHNA VISHNU SHIVA BRAHMA
I
ME
I SAY ISIS SAY I
I SAY OSIRIS SAY I
I SAY CHRIST SAY I
I SAY KRISHNA SAY I
I SAY RISHI ISHI ISHI RISHI SAY I
I SAY VISHNU SHIVA SHIVA VISHNU SAY I
ARISES THAT SUN SETS THAT SUN SETS THAT SUN ARISES THAT SUN
OSIRIS THAT SON SETS THAT SON SETS THAT SON OSIRIS THAT SON
BELOVED ISIS QUEEN OF THE NIGHT COME WEAVE THY WEB WITH RAPID LIGHT
WISDOM OF THE EAST
by Hari Prasad Shastri 1948
Page 8
"There is no such word in Sanscrita as 'Creation' applied to the universe. The Sanscrita word for Creation is Shristi, which means 'projection' Creation means to bring something into being out /Page 9/ of nothing, to create, as a novelist creates a character. There was no Miranda, for example, until Shakespeare created her. Similarly the ancient Indians (this term is innacurately used as there was no India at that time). who were our ancestors long, long ago. used a word for creation that means 'projection'
Let us honor the unity of Divine Spirit
that pervades all realms of existance:
the earth, the atmosphere and the heavens.
May That most brilliant Divine Light
protect us, sustain us
and illuminate our consciousness
that we might realize
our inherent goodness,
our inborn divinity
and our unity with All That Is.
The Gayatri Mantra Om Bhur Bhuvaha Swaha
OM BHUR BHUVAHA SWAHA OM TAT SAVITUR VARENYAM BHARGHO DEVASYA DHIMAHI DHIYO YONAHA PRACHODAYAT * The Gayatri Mantra is revered by both Buddhists and Hindus ...
www.gayatrimantra.net/
* OM BHUR, OM BHUVAHA, OM SWAHA, OM MAHAHA, OM JANAHA, OM TAPAHA, OM SATYAM, OM TAT SAVITUR VARENYAM BHARGHO DEVASYA DHIMAHI DHIYO YONAHA PRACHODAYAT *
The Entire Mantra says, "I invoke the Earth Plane, The Astral Plane, The Celestial Plane, The Plane of Spiritual Balance, The Plane of Human Spiritual Knowledge, The Plane of Spiritual Austerites, and The Plane of Ultimate Truth. Oh, great Spiritual Light which is the brilliance of all Divinity, we meditate upon You. Please illumine our minds."
By chanting this mantra, Divine spiritual light and power is infused in each of the seven chakras and connects them to the Spiritual Realms. The last part infuses our minds, hearts and souls with the power of the spiritual light that created the Universe.
WORDS OF POWER OF WORDS
JUST SIX NUMBERS
The Deep Forces that Shape the Universe
Martin Rees
1
999
OUR COSMIC HABITAT 1 PLANETS STARS AND LIFE
A COMMON CULTURE WITH ALIENS
Page 21
"A proton is 1,836 times heavier than an electron, and the number 1,836 would have the same connotations to any 'intelligence' "
Page 21 / 22
"...A manifestly artificial signal- even if it were as boring as lists of prime numbers, or the digits of 'pi' - would imply that 'intelligence' wasn't unique to the Earth and had evolved elsewhere. The nearest potential sites are so far away that signals would take many years in transit. For this reason alone, transmission would be primarily one-way. There would be time to send a measured response, but no scope for quick repartee!
Any remote beings who could communicate with us would have some concepts of mathematics and logic that paralleled our own. And they would also share a knowledge of the basic particles and forces that govern our universe. Their habitat may be very different (and the biosphere even more different) from ours here on Earth; but they, and their planet, would be made of atoms just like those on Earth. For them, as for us, the most important particles would be protons and electrons: one electron orbiting a proton makes a hydrogen atom, and electric currents and radio transmitters involve streams of electrons.A proton is 1,836 times heavier than an electron, and the number 1,836 would have the same connotations to any 'intelligence' able and motivated to transmit radio signals. All the basic forces and natural laws would be the same. Indeed, this uniformity - without which our universe would be a far more baffling place - seems to extend to the remotest galaxies that astronomers can study. (Later chapters in this book will, however, speculate about other 'universes', forever beyond range of our telescopes, where different laws may prevail.)
Clearly, alien beings wouldn't use metres, kilograms or seconds. But we could exchange information about the ratios of two masses (such as thc ratio of proton and electron masses) or of two lengths, which are 'pure numbers' that don't depend on what units are used: the statement that one rod is ten times as long as another is true (or false) whether we measure lengths / in feet or metres or some alien units"
Page 21
"A proton is 1,836 times heavier than an electron, and the number 1,836 would have the same connotations to any 'intelligence' "
" the number 1,836 would have the same connotations"
"A remarkable use of the number 3168 occurs"
YOU ARE GOING ON A JOURNEY A VERY SPECIAL JOURNEY DO HAVE A PLEASANT JOURNEY DO
I
ME
SALUTATIONS
PEOPLES OF PLANET EARTH
THOUGHTS OF LOVE THOUGHTS OF PEACE THOUGHTS OF LIGHT
UNTO
ALL SENTIENT BEINGS THROUGHOUT THE UNIVERSE OF GODS UNIVERSAL MIND
THE SCULPTURE OF VIBRATIONS 1971
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
E |
= |
5 |
- |
3 |
END |
23 |
14 |
5 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
D |
= |
4 |
- |
4 |
DAYS |
49 |
22 |
4 |
- |
- |
17 |
|
12 |
Add to Reduce |
|
|
18 |
- |
- |
1+7 |
- |
1+2 |
Reduce to Deduce |
1+2+6 |
5+4 |
1+8 |
- |
- |
8 |
- |
|
Essence of Number |
9 |
9 |
9 |
-
|
CANAH |
- |
- |
- |
3 |
CAN |
18 |
9 |
9 |
2 |
AH |
9 |
9 |
9 |
5 |
CANAH |
27 |
18 |
18 |
- |
- |
2+7 |
1+8 |
1+8 |
5 |
CANAH |
9 |
9 |
9 |
THE
LOST LANGUAGE OF SYMBOLISM
AN ENQUIRY INTO THE ORIGIN OF CERTAIN
LETTERS, WORDS, NAMES, FAIRY-TALES, FOLK-LORE AND MYTHOLOGIES
Harold Bayley 1912
"The Hebrew for man is ish and for woman isha."
Page 300
"Each language, wheher Sanscrit or Zulu, is like a palimpsest, which, if carefully handled, will disclose the original text beneath the superficial writing, and though that original text may be more difficult to recover in illiterate languages, yet it is there nevertheless. Every language, if properly summoned, will reveal to us the mind of the artist who framed it, from its earliest awakening to its latest dreams. Everyone will teach us the same lesson, the lesson on which the whole Science of Thought is based, that there is no language without reason, as there is no reason with.out language."1 An analysis of the several terms for man, soul, or spirit reveals the time-honoured belief that the human race emerged in its infancy from the Great Light, and that every human soul was a spark or fragment of the EverExistent Oversoul. The Egyptian for man was se, the German for soul is seele - cognate with Selah! - and meaning likewise the "Light of the Everlasting." The Dutch for soul is ziel, the fiery light of God, and the English soul was once presumably is ol, the essence or light of God.2 The Hebrew for man is ish and for woman isha.
I
ME
IS 9 9 SI
IS 1 8 8 1 SI
IS AH HA SI
ISH 9 1 8 8 1 9 HSI
ISH 9 19 8 8 19 9 HSI
ISHA 9 1 8 1 1 8 1 9 AHSI
ISHA 9 19 8 1 1 8 19 9 AHSI
"The Hebrew for man is ish and for woman isha."
1 |
|
9 |
9 |
9 |
3 |
|
18 |
9 |
9 |
4 |
ISHI |
45 |
27 |
9 |
5 |
RISHI |
63 |
36 |
9 |
5 |
IRISH |
63 |
36 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
SELAH |
- |
- |
- |
3 |
SEL |
36 |
18 |
9 |
2 |
AH |
9 |
9 |
9 |
5 |
SELAH |
45 |
18 |
9 |
- |
- |
4+5 |
1+8 |
27 |
5 |
SELAH |
9 |
9 |
9 |
"The Egyptian for man was se, the German for soul is seele - cognate with Selah! - and meaning likewise the "Light of the Everlasting."
FINGERPRINTS OF THE GODS
Graham Hancock 1995
Page 204
"stories were told of a great deluge"
"According to Aztec mythology only two human beings survived: a man, Coxcoxtli and his wife, Xochiquetzal, who had been forewarned of the cataclysm by a god".
A
ZTEC
- |
AZTEC |
- |
- |
- |
- |
A |
1 |
1 |
1 |
- |
Z+T+E+C |
54 |
18 |
9 |
5 |
AZTEC |
55 |
19 |
10 |
- |
- |
5+5 |
1+9 |
1+0 |
5 |
AZTEC |
10 |
10 |
10 |
|
|
1+0 |
1+0 |
1+0 |
5 |
AZTEC |
1 |
1 |
1 |
- |
- |
- |
- |
- |
- |
- |
|
- |
- |
- |
COXCOX |
- |
- |
- |
- |
CO |
18 |
9 |
9 |
- |
X |
24 |
6 |
6 |
- |
CO |
18 |
9 |
9 |
- |
X |
24 |
6 |
6 |
6 |
COXCOX |
84 |
30 |
30 |
- |
- |
8+4 |
3+0 |
3+0 |
6 |
COXCOX |
12 |
3 |
3 |
- |
- |
1+2 |
- |
- |
6 |
COXCOX |
3 |
3 |
3 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
COXCOXTLI |
- |
- |
- |
- |
C+O |
18 |
9 |
9 |
- |
X |
24 |
6 |
6 |
- |
C+O |
18 |
9 |
9 |
- |
X |
24 |
6 |
6 |
- |
T+L |
32 |
5 |
5 |
- |
I |
9 |
9 |
9 |
9 |
COXCOXTLI |
125 |
44 |
44 |
- |
- |
1+2+5 |
4+4 |
4+4 |
9 |
COXCOXTLI |
8 |
8 |
8 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
12 |
XOCHIQUETZAL |
- |
- |
- |
- |
X |
24 |
6 |
6 |
- |
O+C |
18 |
9 |
9 |
- |
H |
8 |
8 |
8 |
- |
I |
9 |
9 |
9 |
- |
Q+U+E+T |
63 |
18 |
9 |
- |
ZA |
27 |
9 |
9 |
- |
L |
12 |
3 |
3 |
12 |
XOCHIQUETZAL |
161 |
62 |
53 |
|
|
1+6+1 |
6+2 |
5+3 |
12 |
XOCHIQUETZAL |
8 |
8 |
8 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
12 |
QUETZALCOATL |
- |
- |
- |
- |
Q+U+E+T |
63 |
18 |
9 |
- |
ZA |
27 |
9 |
9 |
- |
LCOATL |
63 |
18 |
9 |
12 |
|
153 |
45 |
27 |
- |
- |
1+5+3 |
4+5 |
2+7 |
12 |
|
9 |
9 |
9 |
12 x 153 = 1836
5 |
AZTEC |
55 |
19 |
1 |
6 |
COXCOX |
84 |
30 |
3 |
9 |
COXCOXTLI |
125 |
44 |
8 |
12 |
XOCHIQUETZAL |
161 |
62 |
8 |
12 |
|
153 |
45 |
9 |
-
|
QUETZALCOATL |
- |
- |
- |
- |
Q+U+E+T |
63 |
18 |
9 |
- |
ZA |
27 |
9 |
9 |
- |
LCOATL |
63 |
18 |
9 |
12 |
|
153 |
45 |
27 |
- |
- |
1+5+3 |
4+5 |
2+7 |
12 |
|
9 |
9 |
9 |
"ancient Mexicans traced their descent from an ancestor named Coxcox, i.e. ack ock se, ack ock se, the "Great Great Light, the Great Great Light."
THE
LOST LANGUAGE OF SYMBOLISM
Harold Bayley 1912
Page 300
The Latin homo is OM, the Sun, as also is the French homme ; and dme, the French for soul, is apparently the Hindoo AUM. The ancient Mexicans traced their descent from an ancestor named Coxcox, i.e. ack ock se, ack ock se, the "Great Great Light, the Great Great Light." 8 The Teutons claim to have descended from TIU or TUISCO, an Aryan God of Light, and the name TUISCO may be restored into tu is ack O , the "brilliant light of the Great O."
Page 300 Notes
1 Biographieses of Words, Intro.
2 We may see similar vowel erosion going on at the present day, and
the word cute will soon take its place in the dictionaries in addition to acute, its proper form.
3 This doubling of a title is a world-wide commonplace, similar to our " King of Kings and Lord of Lords, Very God of Very God."
OM MANE PADME HUM
THE
LOST LANGUAGE OF SYMBOLISM
AN ENQUIRY INTO THE ORIGIN OF CERTAIN
LETTERS, WORDS, NAMES, FAIRY-TALES, FOLK-LORE AND MYTHOLOGIES
Harold Bayley 1912
THE EYE OF THE UNIVERSE
Page 301
"Great Sun or Great One, / Page 302 / and HACO, HUGO, and JAGO, the "Ever-Existent great O."
The- high ancestry of the human Ego, the" I myself," the "I" of the first person singular is reflected in the Greek and Latin term Ego, the "Great O." The Anglo-Saxon for "I" was Ic and the Old English Ik. The Dutch is Ik, the Icelandic is Ek, and the German Ich. The French Je means the ever-existent, and in the Danish and Swedish Jeg and Jag we are again confronted with" ever-existen.t great one." The Lithuanian for "I myself" is Asz, i.e. the" light of the strong Light," and in the Sanscrit Aham there is, as it were, an echo1 of the words "I AM"
The Je of ever-existent occurs in JAHWE or JEHOVAH; in JOVE, which is the same word as JEHOVAH; in JUPITER, i.e. lu pitar, the."ever-existent Father"; in the Japanese JIMMU ; 2 and in JUMALA, the Finnish ALL FATHER. The latter name may be resolved into JUM, the" ever..;existent Sun," ALA or ALLAH, the "God who has existed for ever."
In Germany SANTA CLAUS is known alternatively as Knecht (Knight) CLOBES. CLOBES is the same word as our globes, and the root of both is the syllable ob, once meaning the same as Orb. Ob, meaning a ball, is the foundation of obus, a ball, and also of obolus, a little ball. The word bolus or large pill is obolus with a lost initial, and to the same root.are traceable bowl, a round ball, and bowl, a circular utensil. Globe must originally have been ag el obe, the "Great Orb of God." CLOBES will therefore, like ACLAUS, / Page 303 / have meant "the light of the Great Orb of God," and we may equate "Knight CLOBES" with OBERON, the Fairy King.1"
-
|
BALL |
- |
- |
- |
2 |
BA |
3 |
3 |
3 |
1 |
L |
12 |
3 |
3 |
1 |
L |
12 |
3 |
3 |
4 |
BALL |
27 |
9 |
9 |
Page 302 Notes
1 Presumably so called with the pleasing fancy that Echo was the voice
of the Great O.
2 On ascending the throne of his fathers, A.D.. 1868, Mutsuhito, the late Emperor of Japan, thus addressed his people :-" My house, that from Jimmu Tenshi has ruled over Japan according to the will of the gods, is the oldest dynasty on earth, and is carried back ten thousand years beyond Jimmu to the time when. our Divine ancestors laid the foundations of the earth." JIMMU is the same as the English JIMMY, a form of JAMES, or, as it used to be pronounc:ed, JEAMES, i.e. the Everlasting Sunlight."
Page 250
The round fruit on the top of fig.184 (omitted) may be an orange-the" golden ever-existent One" or the Pearl of Price-a gooseberry, or an onion. The onion was an emblem of God among the Egyptians, and probably likewise among the Druids, for it was a custom in England for girls to divine by it. According to Webster'sDictionary, onion is a name also given to "a single, large pearl, apparently because of its oneness or unity." The reason for the symbolism once attached to onion (the vegetable) was no doubt its spherical shape, the golden sheen of its outer skin, the pearly white of its inner texture, and the sheath within sheath, the ring within ring, of its growth.
"Shall any gazer see with mortal eyes,
Or any searcher know by mortal mind;
Veil after veil will lift-but there must be
Veil upon veil behind." 1
-
|
ONION |
- |
- |
- |
2 |
ON |
29 |
11 |
2 |
1 |
I |
9 |
9 |
9 |
2 |
ON |
29 |
11 |
2 |
5 |
ONION |
67 |
31 |
13 |
- |
- |
6+7 |
3+1 |
1+3 |
5 |
ONION |
13 |
4 |
4 |
- |
- |
1+3 |
- |
- |
5 |
ONION |
4 |
4 |
4 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
- |
- |
- |
1 |
O |
15 |
6 |
6 |
1 |
R |
18 |
9 |
9 |
1 |
I |
9 |
9 |
9 |
2 |
ON |
29 |
11 |
2 |
5 |
ORION |
71 |
35 |
26 |
- |
- |
7+1 |
3+5 |
2+6 |
5 |
ORION |
8 |
8 |
8 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
5 |
ORION |
8 |
8 |
8 |
5 |
ONION |
13 |
4 |
4 |
2 |
ON |
29 |
11 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
L |
= |
3 |
|
5 |
|
56 |
29 |
2 |
|
|
|
|
|
|
|
|
|
|
A |
= |
1 |
|
3 |
|
19 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
L |
= |
3 |
|
4 |
LIFE |
32 |
23 |
5 |
|
|
|
|
|
|
|
|
|
|
L |
= |
3 |
|
4 |
IS |
28 |
19 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
Add to Reduce |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+6 |
Reduce to Deduce |
1+3+5 |
8+1 |
|
|
|
|
|
|
|
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|
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|
Essence of Number |
|
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L |
= |
3 |
|
5 |
|
56 |
29 |
2 |
|
|
|
|
|
|
|
|
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|
A |
= |
1 |
|
3 |
|
19 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
L |
= |
3 |
|
4 |
LIFE |
32 |
23 |
5 |
|
|
|
|
|
|
|
|
|
|
L |
= |
3 |
|
4 |
IS |
28 |
19 |
1 |
|
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|
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|
= |
3 |
1 |
1 |
|
12 |
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
2 |
1 |
|
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
= |
7 |
3 |
1 |
|
7 |
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
= |
8 |
4 |
1 |
|
8 |
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
= |
2 |
5 |
1 |
|
20 |
2 |
2 |
|
|
|
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|
|
|
|
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|
= |
1 |
6 |
1 |
|
1 |
1 |
1 |
|
|
|
|
|
|
|
|
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|
|
= |
5 |
7 |
1 |
|
14 |
5 |
5 |
|
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|
= |
4 |
8 |
1 |
|
4 |
4 |
4 |
|
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|
|
|
|
|
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|
= |
3 |
9 |
1 |
|
12 |
3 |
3 |
|
|
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= |
9 |
10 |
1 |
|
9 |
9 |
9 |
|
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|
= |
6 |
11 |
1 |
|
6 |
6 |
6 |
|
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|
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|
= |
5 |
12 |
4 |
|
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
13 |
1 |
|
9 |
9 |
9 |
|
|
|
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|
|
|
|
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|
= |
1 |
14 |
1 |
|
19 |
10 |
1 |
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L |
= |
3 |
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5 |
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56 |
29 |
2 |
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|
|
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A |
= |
1 |
|
3 |
|
19 |
10 |
1 |
|
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|
|
|
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L |
= |
3 |
|
4 |
LIFE |
32 |
23 |
5 |
|
|
|
|
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|
|
|
|
|
I |
= |
9 |
|
2 |
IS |
28 |
19 |
1 |
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|
|
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|
- |
- |
|
- |
|
Add to Reduce |
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1+6 |
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1+4 |
Reduce to Deduce |
1+3+5 |
8+1 |
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1+5 |
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2+7 |
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Essence of Number |
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IS LIFE AND LIGHT
?
LIGHT AND LIFE IS
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19 |
10 |
1 |
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LIFE |
32 |
23 |
5 |
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4 |
IS |
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19 |
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1 |
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5 |
1 |
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20 |
2 |
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3 |
1 |
1 |
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12 |
3 |
3 |
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3 |
9 |
1 |
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12 |
3 |
3 |
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8 |
1 |
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4 |
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7 |
1 |
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14 |
5 |
5 |
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12 |
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5 |
5 |
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11 |
1 |
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3 |
1 |
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7 |
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8 |
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1 |
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8 |
8 |
8 |
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= |
9 |
2 |
1 |
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9 |
9 |
9 |
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1 |
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9 |
9 |
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9 |
13 |
1 |
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9 |
9 |
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3 |
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5 |
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56 |
29 |
2 |
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A |
= |
1 |
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3 |
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19 |
10 |
1 |
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L |
= |
3 |
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4 |
LIFE |
32 |
23 |
5 |
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I |
= |
9 |
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2 |
IS |
28 |
19 |
1 |
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- |
- |
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- |
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Add to Reduce |
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1+6 |
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1+4 |
Reduce to Deduce |
1+3+5 |
8+1 |
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1+5 |
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2+7 |
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Essence of Number |
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SYNCHRONICITY
S |
= |
- |
3 |
11 |
SERENDIPITY |
144 |
63 |
9 |
C |
= |
- |
4 |
6 |
CHANCE |
34 |
25 |
7 |
C |
= |
- |
1 |
11 |
COINCIDENCE |
84 |
57 |
3 |
- |
- |
- |
|
28 |
First Total |
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- |
- |
- |
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Add to Reduce |
2+6+2 |
1+4+5 |
1+9 |
- |
- |
- |
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Second Total |
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- |
- |
- |
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1+0 |
Reduce to Deduce |
1+0 |
1+0 |
1+0 |
- |
- |
- |
8 |
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Essence of Number |
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Page 250 / 251
"There is a golden, yellow fruit that grows in AMERICA known as the persimmon or "Jove's apple." Its scientific name is diospyrus, and the splendour of its colouring is some
justification for the idea that it was the golden apple that grew in the Garden of the Hesperides.
The French word pomme and the English apple yield respectively "eye of the Sun" and "eye of POL": POL
was one of the names of BALDUR, the Sun-God - the "enduring Ball." The Greek for apple is melon,2 a word applied by us to a gourd3 or cucumber,' and it is evident that many fruits and berries 5 were named from their similitude to the round Sun.
The Welsh for apple is aval, and thus AVALON, the Isle
of Rest, is understood alternatively to mean " The Apple/Island." The heroine of The Song of Solomon is described as having been raised under an apple tree."
named from their similitude to the round Sun.
3 |
SUN |
54 |
18 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
5 |
ROUND |
72 |
27 |
9 |
4 |
BALL |
27 |
9 |
9 |
9 |
- |
99 |
36 |
18 |
- |
- |
9+9 |
3+6 |
1+8 |
9 |
- |
18 |
9 |
9 |
- |
- |
1+8 |
- |
- |
9 |
- |
9 |
9 |
9 |
1 Arnold (E.), Light of Asia.2 = Om, the one God.
3 Ag our de = mighty, shining fire.
4 Ac uc umber = great, great Sun-Father.
S Compare hips, haws, goose-i.e. aguz-berries
FINGERPRINTS OF THE GODS
Graham Hancock 1995
Chapter 41
CITY OF THE SUN
CHAMBER OF THE JACKAL
"the universe had been filled with a dark, watery nothingness, called the Nun"
-
|
9+1+8 RAH 8+1+9 |
27 |
18 |
9 |
- |
1+2+3+4 ATUM 4+3+2+1 |
10 |
10 |
1 |
- |
- |
- |
- |
- |
11 |
NOTHINGNESS |
144 |
54 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
3 |
NUN |
49 |
13 |
4 |
4 |
NONE |
48 |
21 |
3 |
- |
- |
- |
- |
- |
10 |
NAMES OF GOD |
99 |
36 |
9 |
7 |
THOUGHT |
99 |
36 |
9 |
6 |
DIVINE |
63 |
36 |
9 |
7 |
REALITY |
90 |
36 |
9 |
8 |
MAGNETIC |
72 |
36 |
9 |
5 |
FIELD |
36 |
27 |
9 |
12 |
|
999 |
999 |
999 |
I
HAVE COME
FROM WHERE HAVE YOU
COME
?
"the universe had been filled with a dark, watery nothingness, called the Nun"
Page 382
Heliopolitan theology rested on a creation-myth distinguished by a number of unique and- curious features. It taught that in the beginning the universe had been filled with a dark, watery nothingness, called the Nun. Out of this inert cosmic ocean (described as 'shapeless, black with the blackness of the blackest night') rose a mound of dry land on which Ra, the Sun God, materialized in his self-created form as Atum (sometimes depicted as an old bearded man leaning on a staff):5
The sky had not-been created, the earth had not been created, the children of the earth and the reptiles had not been fashioned in that place. "I, Atum, was one by myself, "There existed no other who worked with me."6
Conscious of being alone, this blessed and immortal being contrived to create two divine offspring, Shu, god of the air and dryness, and Tefnut the goddess of moisture: 'I thrust my phallus into my closed hand. I made my seed to enter my hand. I poured it into my own mouth. I evacuated under the form of Shu, I passed water under the form of Tefnut.,7"
1 |
I |
9 |
9 |
9 |
4 |
HAVE |
36 |
18 |
9 |
4 |
COME |
36 |
18 |
9 |
1 |
I |
9 |
9 |
9 |
2 |
HA |
9 |
9 |
9 |
2 |
VE |
27 |
9 |
9 |
2 |
CO |
18 |
9 |
9 |
2 |
ME |
18 |
9 |
9 |
5 |
HORUS |
81 |
36 |
9 |
HURRAH FOR RAH FOR RAH FOR RAH HURRAH
IVE
COME COME
HAVE
I
2 |
RA |
19 |
10 |
1 |
6 |
TEFNUT |
86 |
23 |
5 |
3 |
SHU |
48 |
12 |
3 |
11 |
- |
153 |
45 |
9 |
1+1 |
- |
1+5+3 |
4+5 |
- |
2 |
- |
9 |
9 |
9 |
Page 382
"Despite such apparently inauspicious beginnings, Shu and Tefnut (who were always-described as 'Twins' and frequently depicted as lions) grew to maturity, copulated and produced off spring of their own: Geb the god of the earth and Nut, the goddess of the sky. These two also mated, creating Osiris and Isis, Set and Nepthys, and so completed the Ennead, the full company of the Nine Gods of Heliopolis. Of the nine, Ra, Shu, Geb and Osiris were said to have ruled in Egypt as kings, followed by Horus, and lastly - for 3226 years - by the Ibis-headed wisdom god Thoth.8
SHU AND TEFNUT TEFNUT AND SHU
TWO
INS
3x 2 x 2 x 6
72
Page 382
"Who were these people - or creatures, or beings, or gods? Were they figments of the priestly imagination, or symbols, or ciphers? Were the stories told about them vivid myth memories of real events which had taken place thousands of years previously? Or were they, perhaps, part of a coded message from the ancients that had been transmitting itself over and over again down the epochs - a message only now beginning to be unravelled and understood?
Such notions seemed fanciful. Nevertheless I could hardly forget / Page 383 / that out of this very same Heliopolitan tradition the great myth of Isis and
Osiris had flowed, covertly transmitting an accurate calculus for the rate of precessionl motion. Moreover the priests of Innu, whose responsibility it had been to guard and nurture such traditions, had been renowned throughout Egypt for their high wisdom and their proficiency in prophecy, astronomy, mathematics, architecture and the magic arts."
FINGERPRINTS OF THE GODS
Graham Hancock 1995
Chapter 41
CITY OF THE SUN
CHAMBER OF THE JACKAL
Page 381 (number omitted)
"Heliopolis (City of the Sun) was referred to in the Bible as On but was originally known in the Egyptian language as Innu, or Innu Mehret meaning 'th€ pillar' or 'the northern pillar'. 3 It was a district of immense sanctity, associated with a strange group of nine solar and stellar deities, and was old beyond reckoning when Senuseret chose it as the site for his
obelisk. Indeed, together with Giza (and the distant southern city of
Abydos) Innu/Heliopolis was believed to have been part of the first land that emerged from the primeval waters at the / Page 382 / moment of creation, the land of the 'First Time', where the gods had commenced their rule on earth.4
Page 399
Copies, or translations?
"Writing in 1934, the year of his death, Wallis Budge, former Keeper of
Egyptian Antiquities at the British Museum and the author of an authoritative hieroglyphic dictionary, 59 made this frank admission: / Page 400 /
The Pyramid Texts are full of difficulties of every kind. The exact meanings of a large number of words found in them are unknown. . . The construction of
the sentence often baffles all attempts to translate it, and when it contains wholly unknown words it becomes an unsolved riddle. It is only reasonable to suppose that these texts were often used for funerary purposes, but it is quite clear that their period of use in Egypt was little more than one hundred years. Why they were suddenly brought into use at the end of the Fifth Dynasty and ceased to be used at the end of the Sixth Dynasty is inexplicable.'60
Could the answer be that they were copies of an earlier literature which Unas, the last pharaoh of the Fifth Dynasty, together with several of his successors in the Sixth Dynasty, had attempted to fix for ever in stone in the tomb chambers of their own pyramids? Budge thought so, and felt the evidence suggested that some at least of the source documents must have been exceedingly old:
Several passages bear evidence that the scribes who drafted the copies from which the cutters of the inscriptions worked did not understand what they were writing. . . The general impression is that the priests who drafted the copies made extracts from several compositions of different ages and having different contents. . . ,61
All this assumed that the source documents, whatever they were, must have been written in an archaic form of the Ancient Egyptian language. There was, however, an alternative possibility which Budge failed to consider. Suppose that the task of the priests had been not only to copy material but to translate into hieroglyphs texts originally composed in another language altogether? If that language had included a technical terminology and references to artefacts and ideas for which no equivalent terms existed in Ancient Egyptian, this would provide an explanation for the strange impression given by certain of the utterances. Moreover, if the copying and translating of the original source documents had been completed by the end of the Sixth Dynasty, it was easy to understand why no more 'Pyramid Texts' had ever been carved: the project would have come to a halt when it had fulfilled its objective - which would have been to create a permanent hieroglyphic record of a sacred literature that had already been tottering with age when Unas had taken the throne of Egypt in 2356 BC.
Page 383
CHAMBER OF THE JACKAL
The Egyptians called Heliopolis Innu, the pillar, because tradition had it that the Benben had been kept here in remote pre-dynastic times, when it had balanced on top of a pillar of rough-hewn stone.
The Benben was believed to have fallen from the skies. Unfortunately, it had been lost so long before that its appearance was no longer remembered by the time Senuseret took the throne in 1971 BC. In that period (the Twelfth Dynasty) all that was clearly recalled was that the Benben had been pyramidal in form, thus providing (together with the pillar on which it stood) a prototype for the shape of all future obelisks. The name Benben was likewise applied to the pyramidion, or apex stone, usually placed on top of pyramids.1O In a symbolic sense, it was also associated closely and directly with Ra-Atum, of whom the ancient texts said, 'You became high on the height; you rose up as the Benben stone in the Mansion of the Phoenix. . . ,11
Mansion of the Phoenix described the original temple at Heliopolis where the Benben had been housed. It reflected the fact that the mysterious object had also served as an enduring symbol for the mythical Phoenix, the divine Bennu bird whose appearances and disappearances were believed to be linked to violent cosmic cycles and to the destruction and rebirth of world ages.12
Connections and similarities
Driving through the suburbs of Heliopolis at around 6.30 in the morning I closed my eyes and tried to summon up a picture of the landscape as it might have looked in the mythical First Time after the Island of Creation 13
- the primordial mound of Ra-Atum - had risen out of the flood waters of
the Nun. It was tempting to see a connection between this imagery and the Andean traditions that spoke of the emergence of the civilizer god Viracocha from the waters of Lake Titicaca after an earth-destroying flood. Moreover there was the figure of Osiris to consider - a conspicuously bearded figure, like Viracocha, and like Quetzalcoatl as well - remembered for having abolished cannibalism among the Egyptians, for having taught them agriculture and animal husbandry, and for introducing them to such arts as writing, architecture, and music.14
QUET-ZA-L-CO-ATL OS-IRI-S VIRACOCHA
Something metaphoric is figurative or symbolic — in other words, it's a metaphor. ... For example, the famous line in the play "As You Like It" by Shakespeare, "All the world's a stage," is metaphoric — "a stage" is a metaphor for "all the world." You can also use the adjective metaphorical to mean the same thing.
metaphoric - Dictionary Definition : Vocabulary.comhttps://www.vocabulary.com › dictionary › metaphoric
Metaphoric speech or writing emphasizes the similarities between two fundamentally different things, by having one stand for, or represent, the other. For ...
metaphoric Share
Something metaphoric is figurative or symbolic — in other words, it's a metaphor. Your mom might use the metaphoric phrase "disaster area" when she talks about your bedroom.
Metaphoric speech or writing emphasizes the similarities between two fundamentally different things, by having one stand for, or represent, the other. For example, the famous line in the play "As You Like It" by Shakespeare, "All the world's a stage," is metaphoric — "a stage" is a metaphor for "all the world." You can also use the adjective metaphorical to mean the same thing. The Greek root of both is metaphora, "a transfer" or "a carrying
59 Synonyms & Antonyms for METAPHORIC | Thesaurus.comhttps://www.thesaurus.com › browse › metaphoric
Find 59 ways to say METAPHORIC, along with antonyms, related words, and example sentences at Thesaurus.com, the world's most trusted free thesaurus.
What does metaphoric mean? - Definitions.nethttps://www.definitions.net › definition › metaphoric
Princeton's WordNet · metaphorical, metaphoric · expressing one thing in terms normally denoting another. "a metaphorical expression"; "metaphoric language" ...
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METAPHORIC |
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METAPHORIC |
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5+4 |
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5+4 |
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METAPHORIC |
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LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER
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metaphor
/'m?t?f?,'m?t?f??/
Learn to pronounce
noun
a figure of speech in which a word or phrase is applied to an object or action to which it is not literally applicable.
"when we speak of gene maps and gene mapping, we use a cartographic metaphor"
Similar:
figure of speech
figurative expression
image trope allegory parable analogy comparison symbol emblem word painting word picture conceit
a thing regarded as representative or symbolic of something else.
"the amounts of money being lost by the company were enough to make it a metaphor for an industry that was teetering"
Metaphor - Wikipediahttps://en.wikipedia.org › wiki › Metaphor
A common definition of metaphor can be described as a comparison that shows how two things that are not alike in most ways are similar in another important way.
A metaphor is a figure of speech that, for rhetorical effect, directly refers to one thing by mentioning another.[1] It may provide (or obscure) clarity or identify hidden similarities between two different ideas. Metaphors are often compared with other types of figurative language, such as antithesis, hyperbole, metonymy, and simile.[2] One of the most commonly cited examples of a metaphor in English literature comes from the "All the world's a stage" monologue from As You Like It:
All the world's a stage,
And all the men and women merely players;
They have their exits and their entrances ...
—William Shakespeare, As You Like It, 2/7[3]
This quotation expresses a metaphor because the world is not literally a stage, and most humans are not literally actors and actresses playing roles. By asserting that the world is a stage, Shakespeare uses points of comparison between the world and a stage to convey an understanding about the mechanics of the world and the behavior of the people within it.
According to the linguist Anatoly Liberman, "the use of metaphors is relatively late in the modern European languages; it is, in principle, a post-Renaissance phenomenon".[4] In contrast, in the ancient Hebrew psalms (around 1000 B.C.), one finds already vivid and poetic examples of metaphor such as, "The Lord is my rock, my fortress and my deliverer; my God is my rock, in whom I take refuge, my shield and the horn of my salvation, my stronghold” and “The Lord is my shepherd, I shall not want.” At the other extreme, some recent linguistic theories view all language in essence as metaphorical.[5]
The word metaphor itself is a metaphor, coming from a Greek term meaning "transference (of ownership)". The user of a metaphor alters the reference of the word, "carrying" it from one semantic "realm" to another. The new meaning of the word might be derived from an analogy between the two semantic realms, but also from other reasons such as the distortion of the semantic realm - for example in sarcasm.
Etymology
The English word metaphor derives from the 16th-century Old French word métaphore, which comes from the Latin metaphora, "carrying over", and in turn from the Greek µetaf??? (metaphorá), "transference (of ownership)",[6] from µetaf??? (metaphero), "to carry over", "to transfer"[7] and that from µet? (meta), "behind", "along with", "across"[8] + f??? (phero), "to bear", "to carry".[9]
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